In Arizona in the late 1800s, infamous outlaw Ben Wade and his vicious gang of thieves and murderers have plagued the Southern Railroad. When Wade is captured, Civil War veteran Dan Evans, struggling to survive on his drought-plagued ranch, volunteers to deliver him alive to the "3:10 to Yuma", a train that will take the killer to trial.
Unfortunately the movie 3:10 to Yuma is not yet available on HBO Max.
| Camera | Phedon Papamichael | Director of Photography |
| Art | Andrew Menzies | Production Design |
| Directing | James Mangold | Director |
| Production | Sarah Katzman | Casting |
| Writing | Michael Brandt | Screenplay |
| Writing | Derek Haas | Screenplay |
| Production | Lisa Beach | Casting |
| Editing | Michael McCusker | Editor |
| Production | Cathy Konrad | Producer |
| Costume & Make-Up | Arianne Phillips | Costume Design |
| Costume & Make-Up | Linda Matthews | Costume Supervisor |
| Art | Greg Berry | Art Direction |
| Art | Jay Hart | Set Decoration |
| Crew | Danny Wynands | Stunts |
| Costume & Make-Up | Kathrine Gordon | Hair Department Head |
| Lighting | Blake Pike | Rigging Grip |
| Sound | John Murray | Foley |
| Editing | Shawn Broes | Digital Intermediate |
| Costume & Make-Up | Christine L. Cantella | Assistant Costume Designer |
| Costume & Make-Up | Michael Castellano | Set Costumer |
| Costume & Make-Up | Pilar Agoyo | Seamstress |
| Sound | David Betancourt | Foley |
| Costume & Make-Up | Betty Lou Skinner | Key Hair Stylist |
| Sound | Dawn Fintor | Foley |
| Costume & Make-Up | Aleah Ames | Set Costumer |
| Production | Jo Edna Boldin | Casting |
| Production | Charla Bowersox | Casting Associate |
| Crew | David Fencl | Armorer |
| Lighting | Stephen Mullen | Rigging Gaffer |
| Camera | David Luckenbach | Steadicam Operator |
| Camera | Melissa Moseley | Still Photographer |
| Camera | Richard Foreman Jr. | Still Photographer |
| Camera | Chip Byrd | First Assistant Camera |
| Sound | Alicia Stevenson | Foley |
| Sound | Donald Sylvester | Sound Designer |
| Editing | Marisa Clayton | Digital Intermediate |
| Visual Effects | Mark Dornfeld | Visual Effects Supervisor |
| Visual Effects | Paul Graff | Visual Effects Supervisor |
| Camera | Philip Shanahan | First Assistant Camera |
| Costume & Make-Up | Lisa Taylor Roberts | Makeup Artist |
| Sound | Monique 'Nico' Salvato | First Assistant Sound Editor |
| Costume & Make-Up | Terry Anderson | Assistant Costume Designer |
| Camera | Philip C. Pfeiffer | Camera Operator |
| Crew | Sara Cueva | Visual Effects Editor |
| Visual Effects | Paulina Kuszta | Visual Effects Coordinator |
| Crew | Ron Bolanowski | Special Effects Coordinator |
| Art | Dan Pemberton | Construction Coordinator |
| Crew | Arthur Arndt | Carpenter |
| Costume & Make-Up | Lorraine Crossman | Set Costumer |
| Costume & Make-Up | Wendy M. Craig | Set Costumer |
| Sound | Jim Schultz | Music Editor |
| Camera | J. Steven Matzinger | First Assistant Camera |
| Crew | Freddie Hice | Stunt Coordinator |
| Sound | Ted Caplan | Sound Effects Editor |
| Directing | Sheila Waldron | Script Supervisor |
| Camera | Paul Sanchez | Camera Operator |
| Camera | Bob Hall | First Assistant Camera |
| Sound | Elizabeth Rainey | Foley |
| Crew | J.P. Jones | Property Master |
| Editing | Marcie Jastrow | Digital Intermediate |
| Costume & Make-Up | Gloria Pasqua Casny | Key Hair Stylist |
| Production | Marie A. Kohl | Casting Associate |
| Lighting | Cory Geryak | Gaffer |
| Costume & Make-Up | Carlos Rosario | Assistant Costume Designer |
| Costume & Make-Up | Juliet Hyde-White | Set Costumer |
| Costume & Make-Up | Debra Chapman | Seamstress |
| Costume & Make-Up | Susan Germaine | Hairstylist |
| Costume & Make-Up | Jane Galli | Makeup Department Head |
| Crew | Colin Dennis | Carpenter |
| Costume & Make-Up | Bren Cook | Set Costumer |
| Art | Roberta Marquez Seret | Art Department Coordinator |
| Visual Effects | Robert Stromberg | Visual Effects Supervisor |
| Costume & Make-Up | John Caglione Jr. | Makeup Artist |
| Visual Effects | Christina Graff | Visual Effects Producer |
| Production | Lynwood Spinks | Executive Producer |
| Production | Dixie J. Capp | Associate Producer |
| Writing | Halsted Welles | Screenplay |
| Crew | Alexander Mackendrick | Thanks |
| Crew | Aaron Downing | Post Production Supervisor |
| Editing | Lee Grubin | Assistant Editor |
| Production | Stuart M. Besser | Unit Production Manager |
| Directing | Nicholas Mastandrea | Assistant Director |
| Crew | Doug Hemphill | Thanks |
| Production | Ryan Kavanaugh | Executive Producer |
| Crew | Mark Jan Wlodarkiewicz | Thanks |
| Art | Kenneth Hunter | Location Scout |
| Costume & Make-Up | Pierre Barrera | Set Dressing Artist |
| Camera | Joe Bacharka | Grip |
| Lighting | Bradley Barnes | Lighting Technician |
| Production | Matthew Cardarople | Production Assistant |
| Crew | Troy Gilbert | Stunts |
| Directing | Maria Mantia | Second Assistant Director |
| Production | Stuart M. Besser | Executive Producer |
| Writing | Elmore Leonard | Short Story |
| Crew | Tad Griffith | Stunts |
| Sound | Scott Curtis | Foley Editor |
| Sound | Donald Sylvester | Supervising Sound Editor |
| Sound | Marco Beltrami | Original Music Composer |
| Sound | Simon Coke | Dialogue Editor |
| Sound | Matthew Harrison | Foley Editor |
| Camera | Mark Vargo | Second Unit Director of Photography |
| Crew | Jeffrey J. Dashnaw | Stunts |
| Sound | David Giammarco | Sound Mixer |
| Sound | Jim Stuebe | Production Sound Mixer |
| Sound | Paul Massey | Sound Mixer |
| Crew | Faith Strongheart | Set Production Assistant |
