In Arizona in the late 1800s, infamous outlaw Ben Wade and his vicious gang of thieves and murderers have plagued the Southern Railroad. When Wade is captured, Civil War veteran Dan Evans, struggling to survive on his drought-plagued ranch, volunteers to deliver him alive to the "3:10 to Yuma", a train that will take the killer to trial.
Unfortunately the movie 3:10 to Yuma is not yet available on HBO Max.
| Writing | Derek Haas | Screenplay |
| Directing | James Mangold | Director |
| Camera | Phedon Papamichael | Director of Photography |
| Art | Andrew Menzies | Production Design |
| Editing | Michael McCusker | Editor |
| Production | Lisa Beach | Casting |
| Production | Cathy Konrad | Producer |
| Production | Sarah Katzman | Casting |
| Writing | Michael Brandt | Screenplay |
| Costume & Make-Up | Arianne Phillips | Costume Design |
| Art | Jay Hart | Set Decoration |
| Costume & Make-Up | Linda Matthews | Costume Supervisor |
| Art | Greg Berry | Art Direction |
| Crew | Danny Wynands | Stunts |
| Costume & Make-Up | Jane Galli | Makeup Department Head |
| Art | Roberta Marquez Seret | Art Department Coordinator |
| Production | Charla Bowersox | Casting Associate |
| Costume & Make-Up | Terry Anderson | Assistant Costume Designer |
| Directing | Sheila Waldron | Script Supervisor |
| Camera | Philip C. Pfeiffer | Camera Operator |
| Camera | Bob Hall | First Assistant Camera |
| Crew | J.P. Jones | Property Master |
| Crew | Sara Cueva | Visual Effects Editor |
| Visual Effects | Paulina Kuszta | Visual Effects Coordinator |
| Costume & Make-Up | Christine L. Cantella | Assistant Costume Designer |
| Visual Effects | Christina Graff | Visual Effects Producer |
| Sound | Alicia Stevenson | Foley |
| Costume & Make-Up | Carlos Rosario | Assistant Costume Designer |
| Costume & Make-Up | Lorraine Crossman | Set Costumer |
| Costume & Make-Up | Susan Germaine | Hairstylist |
| Costume & Make-Up | Lisa Taylor Roberts | Makeup Artist |
| Crew | Colin Dennis | Carpenter |
| Visual Effects | Robert Stromberg | Visual Effects Supervisor |
| Visual Effects | Paul Graff | Visual Effects Supervisor |
| Costume & Make-Up | Debra Chapman | Seamstress |
| Production | Marie A. Kohl | Casting Associate |
| Costume & Make-Up | Bren Cook | Set Costumer |
| Costume & Make-Up | Kathrine Gordon | Hair Department Head |
| Crew | Arthur Arndt | Carpenter |
| Costume & Make-Up | Aleah Ames | Set Costumer |
| Camera | Melissa Moseley | Still Photographer |
| Lighting | Stephen Mullen | Rigging Gaffer |
| Sound | David Betancourt | Foley |
| Sound | Elizabeth Rainey | Foley |
| Visual Effects | Mark Dornfeld | Visual Effects Supervisor |
| Costume & Make-Up | Wendy M. Craig | Set Costumer |
| Costume & Make-Up | Betty Lou Skinner | Key Hair Stylist |
| Costume & Make-Up | John Caglione Jr. | Makeup Artist |
| Sound | Jim Schultz | Music Editor |
| Camera | Philip Shanahan | First Assistant Camera |
| Sound | Ted Caplan | Sound Effects Editor |
| Camera | Chip Byrd | First Assistant Camera |
| Art | Dan Pemberton | Construction Coordinator |
| Costume & Make-Up | Michael Castellano | Set Costumer |
| Camera | J. Steven Matzinger | First Assistant Camera |
| Crew | Freddie Hice | Stunt Coordinator |
| Costume & Make-Up | Pilar Agoyo | Seamstress |
| Costume & Make-Up | Gloria Pasqua Casny | Key Hair Stylist |
| Lighting | Cory Geryak | Gaffer |
| Lighting | Blake Pike | Rigging Grip |
| Crew | Ron Bolanowski | Special Effects Coordinator |
| Sound | Donald Sylvester | Sound Designer |
| Editing | Shawn Broes | Digital Intermediate |
| Camera | Paul Sanchez | Camera Operator |
| Sound | John Murray | Foley |
| Editing | Marisa Clayton | Digital Intermediate |
| Costume & Make-Up | Juliet Hyde-White | Set Costumer |
| Production | Jo Edna Boldin | Casting |
| Crew | David Fencl | Armorer |
| Sound | Dawn Fintor | Foley |
| Editing | Marcie Jastrow | Digital Intermediate |
| Camera | David Luckenbach | Steadicam Operator |
| Camera | Richard Foreman Jr. | Still Photographer |
| Sound | Monique 'Nico' Salvato | First Assistant Sound Editor |
| Crew | Aaron Downing | Post Production Supervisor |
| Production | Lynwood Spinks | Executive Producer |
| Crew | Mark Jan Wlodarkiewicz | Thanks |
| Editing | Lee Grubin | Assistant Editor |
| Directing | Nicholas Mastandrea | Assistant Director |
| Crew | Alexander Mackendrick | Thanks |
| Production | Dixie J. Capp | Associate Producer |
| Production | Ryan Kavanaugh | Executive Producer |
| Production | Stuart M. Besser | Unit Production Manager |
| Writing | Halsted Welles | Screenplay |
| Crew | Doug Hemphill | Thanks |
| Art | Kenneth Hunter | Location Scout |
| Costume & Make-Up | Pierre Barrera | Set Dressing Artist |
| Lighting | Bradley Barnes | Lighting Technician |
| Camera | Joe Bacharka | Grip |
| Production | Matthew Cardarople | Production Assistant |
| Crew | Troy Gilbert | Stunts |
| Writing | Elmore Leonard | Short Story |
| Directing | Maria Mantia | Second Assistant Director |
| Production | Stuart M. Besser | Executive Producer |
| Crew | Tad Griffith | Stunts |
| Sound | Matthew Harrison | Foley Editor |
| Camera | Mark Vargo | Second Unit Director of Photography |
| Sound | Marco Beltrami | Original Music Composer |
| Sound | Simon Coke | Dialogue Editor |
| Sound | Donald Sylvester | Supervising Sound Editor |
| Sound | Scott Curtis | Foley Editor |
| Crew | Jeffrey J. Dashnaw | Stunts |
| Sound | Jim Stuebe | Production Sound Mixer |
| Sound | Paul Massey | Sound Mixer |
| Sound | David Giammarco | Sound Mixer |
| Crew | Faith Strongheart | Set Production Assistant |
