Sara's dream of finding the perfect mate is realized when boyfriend Daniel proposes marriage, but there is one tiny hitch. It turns out he is the real-life prince of a small European monarchy, and his marriage requires the approval of his royal parents. Commoner Sara will have to do more than simply impress the in-laws-to-be. If she wants to become Daniel’s wife, she’ll have to prove she’s got all the makings of an honest-to-goodness princess.
Unfortunately the movie Royally Ever After is not yet available on HBO Max.
| Camera | Seamus Deasy | Director of Photography |
| Sound | Daniel Belardinelli | Music |
| Editing | Julian Ulrichs | Editor |
| Writing | Aury Wallington | Story |
| Production | Lisa McLaughlin Strassman | Associate Producer |
| Production | Louise Kiely | Casting |
| Production | Edwina Forkin | Co-Producer |
| Directing | Tony Aherne | First Assistant Director |
| Art | Derek Wallace | Production Design |
| Production | Aury Wallington | Associate Producer |
| Production | Kat Green | Executive Producer |
| Production | Kat Green | Producer |
| Writing | Gary Goldstein | Teleplay |
| Costume & Make-Up | Maeve Paterson | Costume Designer |
| Art | Brian Wallace | Property Master |
| Production | Catherine O'Flaherty | Production Coordinator |
| Camera | Mick O'Rourke | Steadicam Operator |
| Production | William R. Greenblatt | Producer |
| Production | Des Martin | Line Producer |
| Directing | Amanda Lean | Script Supervisor |
| Directing | David Kennedy | Second Assistant Director |
| Crew | Steve Flynn | Drone Operator |
| Costume & Make-Up | Marian Smyth | Wardrobe Supervisor |
| Costume & Make-Up | Rosie Blackmore | Makeup Designer |
| Production | Jo Barnett | Production Accountant |
| Camera | Mick O'Rourke | "B" Camera Operator |
| Production | William R. Greenblatt | Executive Producer |
| Writing | Duane Poole | Teleplay |
| Costume & Make-Up | Joyce Kelly | Costume Assistant |
| Production | Thyrza Ging | Casting |
| Costume & Make-Up | Margo Barrow | Costume Assistant |
| Camera | Daniel Kelly | Second Assistant Camera |
| Camera | Conor Hammond | First Assistant "A" Camera |
| Production | Donna Fitzsymons | Production Accountant |
| Costume & Make-Up | Marina Granville | Assistant Makeup Artist |
| Art | Alice Murphy | Standby Art Director |
| Camera | Barry Doyle | Digital Imaging Technician |
| Production | Orlaith Deasy | Assistant Production Coordinator |
| Camera | Shane Caffrey | First Assistant "B" Camera |
| Camera | Conor Quigley | Camera Trainee |
| Costume & Make-Up | Roisin Copeland | Assistant Hairstylist |
| Production | Dermot Cleary | Location Manager |
| Directing | Peig Looney | Script Supervisor |
| Costume & Make-Up | Carole Dunne | Hair Designer |
| Sound | Eoghan McDonnell | Foley Artist |
| Lighting | Enda Dunne | Best Boy Electric |
| Lighting | Brian McCluskey | Electrician |
| Editing | Robbie O'Farrell | Online Editor |
| Crew | Eddie Cullen | Transportation Captain |
| Sound | Ray Gross | Sound Mixer |
| Lighting | Alan Lynch | Best Boy Electric |
| Art | Colm Bassett | Construction Manager |
| Crew | Clodagh Z. McCarthy | Post Production Supervisor |
| Sound | Jamie Doyle | Boom Operator |
| Editing | Rob Stuart | Assistant Editor |
| Editing | Martin Fanning | Assistant Editor |
| Sound | Mark Henry | Sound Re-Recording Mixer |
| Editing | Matt Branton | Colorist |
| Lighting | Howard Gibson Steele | Gaffer |
| Sound | Peter Blayney | Dialogue Editor |
| Sound | Peter Blayney | Supervising Sound Editor |
| Writing | Aury Wallington | Teleplay |
| Directing | Lee Friedlander | Director |
