A fresh and distinctive take on Charles Dickens’ semi-autobiographical masterpiece, The Personal History of David Copperfield, set in the 1840s, chronicles the life of its iconic title character as he navigates a chaotic world to find his elusive place within it. From his unhappy childhood to the discovery of his gift as a storyteller and writer, David’s journey is by turns hilarious and tragic, but always full of life, colour and humanity.
Unfortunately the movie The Personal History of David Copperfield is not yet available on HBO Max.
| Sound | Ihor Kaniuk | Sound Re-Recording Mixer |
| Costume & Make-Up | Amie Wilson | Makeup Artist |
| Costume & Make-Up | Anna Lubbock | Makeup Artist |
| Sound | Peter Burgis | Foley Artist |
| Costume & Make-Up | Andrea Cracknell | Makeup Artist |
| Costume & Make-Up | Emma Romans | Makeup Artist |
| Costume & Make-Up | Hayley Young | Makeup Artist |
| Costume & Make-Up | Helen Cannon | Makeup Artist |
| Costume & Make-Up | Andrea Cracknell | Hairstylist |
| Sound | Steve Little | Sound Re-Recording Mixer |
| Costume & Make-Up | Laura Odette Phipps | Special Effects Makeup Artist |
| Costume & Make-Up | Helen Cannon | Hairstylist |
| Sound | Zoe Freed | Foley Artist |
| Sound | Jemma Riley-Tolch | Foley Mixer |
| Costume & Make-Up | Giorgio Galliero | Makeup Artist |
| Costume & Make-Up | Amie Wilson | Hairstylist |
| Sound | Lilly Blazewicz | Foley Editor |
| Visual Effects | Ingo Putze | Visual Effects Supervisor |
| Costume & Make-Up | Julie Atkins | Makeup Artist |
| Production | Daniel Battsek | Executive Producer |
| Art | Polly Stevens | Art Direction |
| Production | Ollie Madden | Executive Producer |
| Art | Thomas Goodwin | Art Direction |
| Visual Effects | Sebastian Barker | Visual Effects Supervisor |
| Visual Effects | Vikram Chadha | Visual Effects Producer |
| Production | Celia Duval | Co-Producer |
| Art | Nick Dent | Supervising Art Director |
| Production | Glen Basner | Executive Producer |
| Production | Christos V. Konstantakopoulos | Executive Producer |
| Production | Simon Blackwell | Executive Producer |
| Crew | Louise Seymour | Post Production Supervisor |
| Sound | Chris Devlin | Boom Operator |
| Art | Sonia Kasparian | Assistant Art Director |
| Costume & Make-Up | Karen Hartley-Thomas | Hair Designer |
| Costume & Make-Up | Karen Hartley-Thomas | Makeup Designer |
| Art | Todd Ellis | Standby Art Director |
| Camera | Freddie FitzHerbert | Camera Trainee |
| Sound | Howard Bevan | Boom Operator |
| Crew | Liam Carey | Stunts |
| Editing | Adam Glasman | Digital Intermediate Colorist |
| Production | Harriet Lawrence | Location Manager |
| Sound | Paul Cotterell | Sound Re-Recording Mixer |
| Camera | Iain Mackay | "A" Camera Operator |
| Art | Shalina Bhamra | Art Department Assistant |
| Editing | Robin Peters | Additional Editor |
| Crew | Jordan Brooks | Drone Operator |
| Directing | Daisy Baldry | Crowd Assistant Director |
| Crew | Jonty Green | Stunts |
| Crew | Daz Parker | Stunts |
| Camera | Harry Bennett-Snewin | Digital Imaging Technician |
| Crew | Felix Leech | Stunts |
| Camera | Iain Mackay | Steadicam Operator |
| Camera | Jennie Paddon | First Assistant "B" Camera |
| Camera | Alex Finlayson | Second Assistant "A" Camera |
| Camera | Chris Wilkinson | Drone Pilot |
| Camera | Jody Knight | Key Grip |
| Directing | Nige Watson | First Assistant Director |
| Directing | Nikki Molloy | Second Assistant Director |
| Directing | Andrew Heard | Third Assistant Director |
| Camera | Simon Thorpe | Grip |
| Art | Douglas Ingram | Storyboard Artist |
| Art | Violet Elliot | Assistant Set Decoration |
| Camera | Ben Brown | First Assistant "A" Camera |
| Crew | Tony van Silva | Stunts |
| Camera | Fran Weston | First Assistant "B" Camera |
| Editing | Peter Lambert | Editor |
| Camera | Cenay Said | Second Assistant "B" Camera |
| Crew | Paul Kennington | Stunt Coordinator |
| Sound | Danny Hambrook | Production Sound Mixer |
| Sound | Paul Carter | Sound Re-Recording Mixer |
| Editing | Ian Cunningham | First Assistant Editor |
| Production | Sarah Turner | Production Secretary |
| Production | Simone Tomasi | Assistant Production Coordinator |
| Editing | Pani Scott | First Assistant Editor |
| Production | Dorothee Freytag | Production Coordinator |
| Production | Robert Platt-Higgins | Post Production Coordinator |
| Writing | Simon Blackwell | Screenplay |
| Writing | Armando Iannucci | Screenplay |
| Directing | Armando Iannucci | Director |
| Production | Kevin Loader | Producer |
| Production | Armando Iannucci | Producer |
| Writing | Charles Dickens | Novel |
| Production | Monique Mussell | Production Manager |
| Camera | Zac Nicholson | Director of Photography |
| Production | Sarah Crowe | Casting |
| Costume & Make-Up | Suzie Harman | Costume Design |
| Art | Cristina Casali | Production Design |
| Sound | Christopher Willis | Original Music Composer |
| Production | Ben Browning | Executive Producer |
| Editing | Mick Audsley | Editor |
| Directing | Angelica Pressello | Script Supervisor |
| Art | Charlotte Dirickx | Set Decoration |
| Costume & Make-Up | Robert Worley | Costume Design |
| Art | Dominique Law | Art Direction |
