Singer Josef Locke fled to Ireland 25 years ago to escape the clutches of the tax man and police Chief Jim Abbott. What he also left behind was the love of his life Cathleen Doyle. Now, Micky O’Neill is desperate to save both his ailing Liverpool nightclub ‘Heartly’s’ and his failing relationship with the beautiful Nancy, Cathleen’s daughter. The solution? Book the infamous Josef Locke.
Unfortunately the movie Hear My Song is not yet available on HBO Max.
| Directing | Peter Chelsom | Director |
| Production | Jane Frisby | Casting |
| Writing | Peter Chelsom | Story |
| Camera | Sue Gibson | Director of Photography |
| Sound | Peter Holt | Foley Editor |
| Camera | Shane O'Neill | Focus Puller |
| Production | Fiona Traynor | Production Coordinator |
| Crew | Terry Cade | Stunts |
| Sound | Michael Rudman | Assistant Sound Editor |
| Costume & Make-Up | Ailbhe Lemass | Assistant Makeup Artist |
| Costume & Make-Up | Carole Dunne | Assistant Hairdresser |
| Crew | Marc Boyle | Stunt Coordinator |
| Production | Robert Quinn | Assistant Location Manager |
| Production | Jud Cooper | Location Manager |
| Production | Paul Myler | Production Accountant |
| Crew | John Downes | Post Production Supervisor |
| Production | Gemma Fallon | Production Manager |
| Production | Maggie mooney | Production Secretary |
| Sound | Glenn Freemantle | Sound Editor |
| Art | Joe Nevin | Property Buyer |
| Production | John McDonnell | Location Manager |
| Production | Jeanne Liscombe | Production Coordinator |
| Crew | Steve Emerson | Stunts |
| Sound | Mervyn Moore | Boom Operator |
| Art | Annie Siggins | Assistant Art Director |
| Art | Frank Hallinan-Flood | Assistant Art Director |
| Camera | Tom Collins | Still Photographer |
| Sound | Philip Bothamley | Dialogue Editor |
| Sound | Bob Robinson | Assistant Dialogue Editor |
| Costume & Make-Up | Debbie Scott | Assistant Costume Designer |
| Directing | Crispin Reece | First Assistant Director |
| Camera | Peter Versey | Camera Operator |
| Camera | Donal Gilligan | Clapper Loader |
| Art | Kave Quinn | Art Direction |
| Directing | June McDonald | Script Supervisor |
| Costume & Make-Up | Wendy Asher | Wardrobe Assistant |
| Lighting | Noel Cullen | Electrician |
| Lighting | Jim Farrell | Best Boy Electric |
| Crew | Arthur Dunne | Transportation Captain |
| Lighting | George Fullegar | Gaffer |
| Lighting | Terry Mulligan | Electrician |
| Editing | Sylvia Wheeler | Negative Cutter |
| Crew | Dorothy Ford | Stunts |
| Production | Sally Woodward Gentle | Production Coordinator |
| Directing | Michael Rowland | Second Assistant Director |
| Camera | Luke Quigley | Key Grip |
| Sound | Peter Lindsay | Sound Mixer |
| Editing | Daryl Jordan | First Assistant Editor |
| Costume & Make-Up | Anne Dunne | Hairdresser |
| Crew | Peter Diamond | Stunt Coordinator |
| Production | Casper Campbell | Production Assistant |
| Directing | Lisa Mulcahy | Third Assistant Director |
| Directing | Peter Diamond | Second Unit Director |
| Production | Alison Owen | Producer |
| Production | John Paul Chapple | Executive Producer |
| Costume & Make-Up | Toni Delaney | Makeup Artist |
| Production | David Brown | Associate Producer |
| Sound | John Altman | Music |
| Production | Simon Fields | Executive Producer |
| Writing | Adrian Dunbar | Screenplay |
| Costume & Make-Up | Lindy Hemming | Costume Design |
| Editing | Martin Walsh | Editor |
| Art | Caroline Hanania | Production Design |
| Writing | Peter Chelsom | Screenplay |
| Production | Russ Russell | Executive Producer |
| Costume & Make-Up | Anne Dunne | Hair Designer |
