Josephine has her eye on Joe, a hot-headed, petty criminal who taps phones for a living. When she finally worms her way into his heart she realises it's not a nice place to be. But is it too late?
Unfortunately the movie Joe's So Mean to Josephine is not yet available on HBO Max.
| Directing | Peter Wellington | Director |
| Writing | Peter Wellington | Writer |
| Production | Susan Cavan | Producer |
| Production | Christine Sheaks | Casting |
| Production | Jon Comerford | Casting |
| Camera | Greg Farrow | First Assistant Camera |
| Art | Yvette Lang | Property Master |
| Editing | Roushell Goldstein | Editor |
| Crew | Carmelina Lamanna | Stunt Double |
| Art | Greg Lev | Assistant Art Director |
| Art | Jeremy Hindle | Set Dresser |
| Editing | Michelle Kaminer | Assistant Editor |
| Production | Victoria Hirst | Co-Producer |
| Sound | Greg Chapman | Location Sound Mixer |
| Art | Heather Hobart | Set Decoration |
| Production | Andrea Franks | Production Coordinator |
| Directing | Stephanie Cohen | Second Assistant Director |
| Directing | Christopher Byrne | Assistant Director Trainee |
| Camera | Tim Merkel | Steadicam Operator |
| Art | David Greig | Set Dresser |
| Art | Darryl Dennis Deegan | Assistant Property Master |
| Camera | Farhood Dadashzadeh | Grip |
| Sound | Lou Solakofski | Sound Re-Recording Mixer |
| Production | Ivan Sutton | Extras Casting |
| Directing | Kathleen Hallam Kibzey | Third Assistant Director |
| Camera | John Lamont | Grip |
| Editing | Shelly Theaker | First Assistant Editor |
| Sound | Patrick McManus | Assistant Foley Artist |
| Sound | Ron Sures | Original Music Composer |
| Camera | Peter Janes | Second Assistant Camera |
| Sound | Janice Ierulli | Dialogue Editor |
| Production | Stephen Merrick | Location Manager |
| Camera | John Holosko | "B" Camera Operator |
| Costume & Make-Up | Clara Dinunzio | Hairstylist |
| Production | Alice O'Neil | Production Manager |
| Directing | Cynthia Gillespie | First Assistant Director |
| Camera | Cudah Andarawewa | First Assistant Camera |
| Costume & Make-Up | Kelly Hood | Wardrobe Assistant |
| Sound | Donna Powell | Foley Artist |
| Camera | Adam Swica | Director of Photography |
| Sound | G. Scott Schaffner | Boom Operator |
| Art | David Kalef | Set Dresser |
| Art | Andrew O'Sullivan | Set Dresser |
| Costume & Make-Up | Dudley Wright | Wardrobe Assistant |
| Sound | David Rose | Foley Recordist |
| Costume & Make-Up | Lea Carlson | Costume Designer |
| Camera | Tony Lippa | Focus Puller |
| Costume & Make-Up | Sylvain Cournoyer | Makeup Artist |
| Directing | Pat Joyes | Script Supervisor |
| Art | Robert Walshaw | Set Dresser |
| Costume & Make-Up | Randi Littlefair | Wardrobe Master |
| Costume & Make-Up | Mary Monforte | Makeup & Hair Assistant |
| Camera | Daryl W. Alvaro | Best Boy Grip |
| Sound | David McCallum | Sound Effects Editor |
| Editing | Robert Borics | Color Timer |
| Editing | Jeff Warren | Editor |
| Directing | Jason Refling | Assistant Director Trainee |
| Camera | Michael Gibson | Still Photographer |
| Camera | Ken Pickett | Key Grip |
| Production | Oliver Churchill | Assistant Location Manager |
| Crew | Shane Cardwell | Stunt Coordinator |
| Sound | Jane Tattersall | Music Editor |
| Sound | Orest Sushko | Sound Re-Recording Mixer |
| Sound | Jane Tattersall | Supervising Sound Editor |
| Art | Sacha Ann Lyn | Art Direction |
| Camera | Steve Van Denzen | Grip |
| Art | Lisa Lev | Production Design |
| Writing | Catherine May | Story Editor |
| Production | Catherine May | Associate Producer |
| Sound | Juli Saragosa | Assistant Dialogue Editor |
| Sound | Stephan Carrier | ADR Recordist |
| Camera | Don Tawse | Grip |
| Editing | David Tarnawsky | Assistant Editor |
| Art | Johanna Weinstein | Title Designer |
| Production | Joanna Polley | Casting Assistant |
