Three apartments in an old converted loft building set the stage for three bizarre love triangles. Nico, enjoys his older brother's top floor loft, while he is away on business. Downstairs, Helena, prepares for a dinner with her lover, who never shows up. In the basement, three expatriates are waiting for a phone call. A Chilean contact is supposed to instruct them to carry out a dirty job.
Unfortunately the movie Last Call is not yet available on HBO Max.
| Production | J.J. Harting | Producer |
| Art | Mathias Klotz | Production Design |
| Art | Elodie Fulton | Art Direction |
| Camera | Antonio Farías | Director of Photography |
| Editing | Danielle Fillios | Editor |
| Production | Caroline Sinclair | Casting |
| Directing | Christine Lucas | Director |
| Writing | Julio Rojas | Dialogue |
| Sound | Andreas Bodenhöfer | Original Music Composer |
| Writing | Jorge Durán | Story |
| Sound | Marcos De Aguirre | Sound Designer |
| Production | Héctor Porras | Associate Producer |
| Production | Max Pernau | Associate Producer |
| Writing | David T. Page | Screenplay |
| Production | Manuel Hübner | Line Producer |
| Lighting | Álvaro Maldonado Jr. | Other |
| Sound | Mauricio Molina | Sound Mixer |
| Writing | Alfredo Silva | Original Story |
| Production | J.J. Harting | Executive Producer |
| Directing | Martín Rodríguez | First Assistant Director |
| Directing | Bruno Bettati | Script Supervisor |
| Sound | Ernesto Trujillo | Boom Operator |
| Costume & Make-Up | Claudio Toledo | Hairdresser |
| Writing | Julio Rojas | Original Story |
| Crew | Jimena Troncoso | Video Assist Operator |
| Costume & Make-Up | Carol Raddatz | Assistant Costume Designer |
| Directing | Bruno Bettati | First Assistant Director |
| Lighting | Carlos Bousquet | Other |
| Production | Fanor Riquelme | Production Assistant |
| Production | Viviana Arce | Production Secretary |
| Art | Claudia Neira | Property Master |
| Writing | Christine Lucas | Original Story |
| Production | Francisco Javier Rojas | Production Manager |
| Camera | Oscar Fuenzalida | Second Assistant Camera |
| Lighting | Antonio Maldonado | Best Boy Electric |
| Directing | Rodrigo Sepúlveda | Other |
| Camera | Marco Villarroel | Second Assistant Camera |
| Production | Fanor Riquelme | Production Driver |
| Writing | Martín Rodríguez | Original Story |
| Costume & Make-Up | Mabel Ossul | Costume Designer |
| Sound | Mauricio Molina | Sound Effects Editor |
| Costume & Make-Up | Carol Raddatz | Wardrobe Designer |
| Production | Leoncio Provoste | Production Assistant |
| Art | Elodie Fulton | Set Decoration |
| Camera | Alex Miranda | First Assistant Camera |
| Crew | Carola Julio | Other |
| Lighting | Josue de la Fuente | Other |
| Sound | Marcos De Aguirre | Sound Re-Recording Mixer |
| Sound | Andreas Bodenhöfer | Musician |
| Production | Sonia Gonzalez | Production Secretary |
| Lighting | Jorge Avalos | Gaffer |
| Sound | Mauricio Molina | Dialogue Editor |
| Sound | Roberto Espinoza | Other |
| Sound | Miranda Bodenhöfer | Vocals |
| Editing | Juan Andrés Condon | Assistant Editor |
| Production | Carlos Uribe | Production Driver |
| Sound | Mauricio Molina | ADR Recordist |
| Editing | Cristian Sepulveda | Other |
| Directing | Andrés Gachón | Second Assistant Director |
| Crew | Carlos Ramírez | Prop Maker |
| Camera | Antonio Farías | Other |
| Camera | Andrés Gachón | Still Photographer |
| Costume & Make-Up | Constanza Racz | Makeup Artist |
| Sound | Roberto Espinoza | Sound Re-Recording Mixer |
| Sound | Roberto Espinoza | Foley Recordist |
| Sound | David Miranda-Hardy | Sound Re-Recording Mixer |
| Sound | Nadine Voullième | ADR Recordist |
| Crew | Jaime Alfaro | Generator Operator |
