In 1931, budding author Christopher Isherwood goes to Berlin at the invitation of his friend W. H. Auden for the gay sex that abounds in the city. He falls for street sweeper Heinz, paying medical bills for the boy's sickly mother, to the disapproval of her other son, Nazi Gerhardt.
Unfortunately the movie Christopher and His Kind is not yet available on HBO Max.
Writing | Kevin Elyot | Writer |
Directing | Geoffrey Sax | Director |
Production | Celia Duval | Producer |
Production | Damien Timmer | Executive Producer |
Camera | Kieran McGuigan | Director of Photography |
Production | Kevin Elyot | Executive Producer |
Crew | Don Bachardy | Creative Consultant |
Production | Eleanor Moran | Executive Producer |
Production | Michele Buck | Executive Producer |
Production | Susie Parriss | Casting |
Sound | Dominik Scherrer | Original Music Composer |
Production | Rebecca Keane | Executive Producer |
Editing | Paul Knight | Editor |
Production | Jon Williams | Head of Production |
Production | Sheila Price | Production Accountant |
Production | Christopher Myers | Assistant Location Manager |
Art | Chris Cull | Property Master |
Directing | San Davey | Script Supervisor |
Production | Catherine Geary | Location Manager |
Camera | Andy Gardner | First Assistant "B" Camera |
Camera | Sean Savage | Camera Operator |
Art | Sophie Phillips | Set Decoration |
Directing | Adam Philpott | Second Assistant Director |
Directing | Barry Keil | First Assistant Director |
Directing | Samantha Ross | Third Assistant Director |
Crew | Joe Condren | Stunt Coordinator |
Camera | Rory Moles | Focus Puller |
Sound | Simon Kerr | Sound Engineer |
Camera | Dáire Mac An tSaoir | Camera Trainee |
Production | Clair Hanson | Assistant Accountant |
Production | Maree Gecks | Production Manager |
Camera | Ruth Woodside | Clapper Loader |
Camera | Pat Garrett | Grip |
Lighting | Seamus Lynch | Electrician |
Production | Damien Glenholmes | Unit Manager |
Lighting | Ger O'Hagan | Electrician |
Sound | Terry McDonald | Boom Operator |
Art | Sara Hayward | Standby Art Director |
Lighting | Carlo McDonnell | Gaffer |
Art | Gillian Devenney | Art Direction |
Costume & Make-Up | Sarah Touaibi | Costume Supervisor |
Costume & Make-Up | Heather Long | Costume Assistant |
Sound | Ben Norrington | Dialogue Editor |
Costume & Make-Up | Sevlene Roddy | Makeup Supervisor |
Costume & Make-Up | Pamela Smyth | Hair Designer |
Production | Susie Parriss | Casting Director |
Editing | Siôn Penny | Online Editor |
Sound | Terry Davies | Music Director |
Costume & Make-Up | Stephen O'Rawe | Costume Assistant |
Costume & Make-Up | Donna Hughes | Costume Assistant |
Costume & Make-Up | Sevlene Roddy | Hair Supervisor |
Sound | Jack Gillies | Sound Effects Editor |
Costume & Make-Up | Laura Pollock | Makeup & Hair |
Costume & Make-Up | Lorna Marie Mugan | Costume Designer |
Art | Suzie Davies | Production Design |
Sound | Chris Treble | Sound Mixer |
Editing | Dan Coles | Colorist |
Sound | Richard Davey | Sound Mixer |
Visual Effects | Gareth Parry | Visual Effects Supervisor |
Sound | Ronan Hill | Sound Recordist |
Visual Effects | Tim Kilgour | Visual Effects Supervisor |
Costume & Make-Up | Pamela Smyth | Makeup Designer |
Writing | Christopher Isherwood | Novel |