Somewhere in Europe, mid-20th century. Albert is employed to look after Mia, a girl with teeth of ice. Mia never leaves their apartment, where the shutters are always closed. The telephone rings regularly and the Master enquires after Mia's wellbeing. Until the day Albert is instructed that he must prepare the child to leave.
Unfortunately the movie Earwig is not yet available on HBO Max.
| Costume & Make-Up | Anne Moralis | Makeup Designer |
| Visual Effects | Denis Bedlow | VFX Editor |
| Sound | Ken Yasumoto | Sound Designer |
| Sound | Benoît Biral | Sound Re-Recording Mixer |
| Writing | Geoff Cox | Screenplay |
| Writing | Lucile Hadžihalilović | Screenplay |
| Editing | Adam Finch | Editor |
| Camera | Jonathan Ricquebourg | Director of Photography |
| Art | Julien Dubourg | Art Direction |
| Production | Amélie Jacquis | Producer |
| Production | Christophe Hollebeke | Executive Producer |
| Art | Julia Irribarria | Art Direction |
| Costume & Make-Up | Jackye Fauconnier | Costume Design |
| Art | Julia Irribarria | Production Design |
| Art | Jeanne Fonsny | Set Decoration |
| Production | Jean-Yves Roubin | Co-Producer |
| Production | Serge Catoire | Production Manager |
| Art | Emilie Nelis-Culot | Decorator |
| Visual Effects | Murray Barber | Special Effects Supervisor |
| Visual Effects | Robin Stuart Cape | Compositing Supervisor |
| Directing | Charlène Sales | Second Assistant Director |
| Art | Louise Toby | Assistant Property Master |
| Costume & Make-Up | Mathilde Wallez | Makeup Artist |
| Sound | Warren Ellis | Original Music Composer |
| Production | Anne-Laure Declerck | Production Assistant |
| Production | Sebastiàn Moradiellos | Casting |
| Art | Laurent Gooris | Construction Manager |
| Sound | Bruno Schweisguth | Sound Mixer |
| Visual Effects | MJ Cunha | Rotoscoping Artist |
| Sound | Jo Masset | ADR Supervisor |
| Costume & Make-Up | Robert Smedt | Key Hair Stylist |
| Sound | Matt Coster | ADR Recordist |
| Sound | Laurence Morel | Boom Operator |
| Art | Amandine Grafé | Graphic Designer |
| Sound | Olivier Thys | Foley Artist |
| Visual Effects | Sefian Benssalem | Special Effects Supervisor |
| Visual Effects | Sam Lucas | Modelling Supervisor |
| Production | Cassandre Warnauts | Co-Producer |
| Sound | Nicolas Becker | Original Music Composer |
| Costume & Make-Up | Roz Gomersall | Prosthetic Supervisor |
| Art | Théodore Brisset | Props |
| Art | Julien Dubourg | Assistant Art Director |
| Visual Effects | Henning Glabbart | Digital Compositor |
| Costume & Make-Up | Lionel Le | Special Effects Makeup Artist |
| Directing | Celine Jacqmin | Additional Second Assistant Director |
| Visual Effects | Murray Barber | Visual Effects Supervisor |
| Directing | Maéva Buisse | First Assistant Director |
| Sound | Augustin Viard | Original Music Composer |
| Directing | Adèle Edwards | Third Assistant Director |
| Crew | Barbara Hellemans | Stunt Double |
| Production | Nanw Rowlands | Casting |
| Crew | Olivier Bisback | Stunt Coordinator |
| Visual Effects | Amy Felce | Matchmove Supervisor |
| Costume & Make-Up | Dan Martin | Prosthetic Designer |
| Crew | Gaspar Noé | Thanks |
| Directing | Lucile Hadžihalilović | Director |
| Production | Andrew Starke | Producer |
| Production | Jean des Forêts | Producer |
| Writing | Brian Catling | Novel |
