Somewhere in Europe, mid-20th century. Albert is employed to look after Mia, a girl with teeth of ice. Mia never leaves their apartment, where the shutters are always closed. The telephone rings regularly and the Master enquires after Mia's wellbeing. Until the day Albert is instructed that he must prepare the child to leave.
Unfortunately the movie Earwig is not yet available on HBO Max.
| Costume & Make-Up | Anne Moralis | Makeup Designer |
| Sound | Ken Yasumoto | Sound Designer |
| Sound | Benoît Biral | Sound Re-Recording Mixer |
| Visual Effects | Denis Bedlow | VFX Editor |
| Writing | Lucile Hadžihalilović | Screenplay |
| Writing | Geoff Cox | Screenplay |
| Camera | Jonathan Ricquebourg | Director of Photography |
| Editing | Adam Finch | Editor |
| Production | Christophe Hollebeke | Executive Producer |
| Production | Amélie Jacquis | Producer |
| Art | Julia Irribarria | Production Design |
| Costume & Make-Up | Jackye Fauconnier | Costume Design |
| Art | Julien Dubourg | Art Direction |
| Art | Julia Irribarria | Art Direction |
| Art | Jeanne Fonsny | Set Decoration |
| Production | Anne-Laure Declerck | Production Assistant |
| Production | Jean-Yves Roubin | Co-Producer |
| Production | Cassandre Warnauts | Co-Producer |
| Sound | Nicolas Becker | Original Music Composer |
| Sound | Warren Ellis | Original Music Composer |
| Sound | Augustin Viard | Original Music Composer |
| Production | Sebastiàn Moradiellos | Casting |
| Production | Nanw Rowlands | Casting |
| Costume & Make-Up | Roz Gomersall | Prosthetic Supervisor |
| Costume & Make-Up | Lionel Le | Special Effects Makeup Artist |
| Costume & Make-Up | Robert Smedt | Key Hair Stylist |
| Costume & Make-Up | Mathilde Wallez | Makeup Artist |
| Production | Serge Catoire | Production Manager |
| Directing | Maéva Buisse | First Assistant Director |
| Directing | Adèle Edwards | Third Assistant Director |
| Directing | Celine Jacqmin | Additional Second Assistant Director |
| Directing | Charlène Sales | Second Assistant Director |
| Art | Théodore Brisset | Props |
| Art | Julien Dubourg | Assistant Art Director |
| Art | Laurent Gooris | Construction Manager |
| Art | Amandine Grafé | Graphic Designer |
| Art | Emilie Nelis-Culot | Decorator |
| Art | Louise Toby | Assistant Property Master |
| Sound | Matt Coster | ADR Recordist |
| Sound | Jo Masset | ADR Supervisor |
| Sound | Laurence Morel | Boom Operator |
| Sound | Bruno Schweisguth | Sound Mixer |
| Sound | Olivier Thys | Foley Artist |
| Visual Effects | Murray Barber | Special Effects Supervisor |
| Visual Effects | Sefian Benssalem | Special Effects Supervisor |
| Visual Effects | Murray Barber | Visual Effects Supervisor |
| Visual Effects | Robin Stuart Cape | Compositing Supervisor |
| Visual Effects | MJ Cunha | Rotoscoping Artist |
| Visual Effects | Amy Felce | Matchmove Supervisor |
| Visual Effects | Henning Glabbart | Digital Compositor |
| Visual Effects | Sam Lucas | Modelling Supervisor |
| Crew | Olivier Bisback | Stunt Coordinator |
| Crew | Barbara Hellemans | Stunt Double |
| Costume & Make-Up | Dan Martin | Prosthetic Designer |
| Crew | Gaspar Noé | Thanks |
| Directing | Lucile Hadžihalilović | Director |
| Writing | Brian Catling | Novel |
| Production | Jean des Forêts | Producer |
| Production | Andrew Starke | Producer |
