Sydney Carpenter is a devoted mother to her young son, and is now accustomed to the puzzling existence of her mysterious, non-communicative husband, Matthew. When her husband and son are suddenly lost at sea after a boating accident, Sydney's comfortable existence is shattered. Although overwhelmed by her grief, Sydney cannot ignore the strange pieces from her husband's past that continue to make their way into the present.
Unfortunately the movie To Love, Honor and Deceive is not yet available on HBO Max.
| Art | Diane Hughes | Production Design |
| Sound | Brian Adler | Original Music Composer |
| Production | Kimberly Rubin | Executive Producer |
| Production | Robert Greenwald | Executive Producer |
| Directing | Michael W. Watkins | Director |
| Editing | Peter B. Ellis | Editor |
| Production | Michael W. Stroud | Co-Producer |
| Writing | David Rosenfelt | Screenplay |
| Camera | Michael D. O'Shea | Director of Photography |
| Directing | Tony Schwartz | Second Assistant Director |
| Production | David Rosenfelt | Associate Producer |
| Production | Philip K. Kleinbart | Producer |
| Production | Mary Jo Slater | Casting |
| Production | John A. Aiello | Casting |
| Production | Patricia Saphier | Associate Producer |
| Production | Philip K. Kleinbart | Production Manager |
| Directing | Marty Elcan | First Assistant Director |
| Costume & Make-Up | Christine Peters | Costume Designer |
| Art | Summer Eubanks | Set Decoration |
| Art | Leonard R. Spears | Leadman |
| Art | Jim Gloster | Leadman |
| Costume & Make-Up | Shannon M. Brice | On Set Dresser |
| Art | Ivi Bilich | Property Master |
| Art | Chuck Bludsworth | Assistant Property Master |
| Costume & Make-Up | Don Malot | Key Makeup Artist |
| Costume & Make-Up | Rita Parillo | Key Hair Stylist |
| Camera | Erin-Bruce Cook | First Assistant Camera |
| Camera | Robert Schierer | Second Assistant Camera |
| Lighting | Jack S. Schlosser | Gaffer |
| Lighting | Barry Daniels | Best Boy Electric |
| Camera | Joseph 'Bruno' Pelle | Key Grip |
| Camera | Michael Crimi | Best Boy Grip |
| Camera | Derek Miller | Dolly Grip |
| Sound | Don Summer | Sound Mixer |
| Sound | Bryant Grizzell | Boom Operator |
| Directing | Christine Moore | Script Supervisor |
| Production | Sue Liberman | Extras Casting Coordinator |
| Costume & Make-Up | Mellissa Berry | Costume Supervisor |
| Costume & Make-Up | Mindy Gantt Bass | Costumer |
| Production | Wendy Fishman | Location Manager |
| Production | Carol Ann Thomas | Production Coordinator |
| Production | Tiffany Becker | Assistant Production Coordinator |
| Crew | Al Hamilton | Transportation Coordinator |
| Production | Maggie Means | Production Accountant |
| Crew | Mike Bivens | Special Effects Coordinator |
| Crew | Brad Gordon | Post Production Supervisor |
| Editing | Steven Lang | Assistant Editor |
| Production | Wes Johnson | Executive Assistant |
| Production | Lily Takanashi | Producer's Assistant |
| Production | Elizabeth Missan Yost | Location Coordinator |
| Production | Diane Freeman | Executive Assistant |
| Production | Scott Donovan | Executive Assistant |
| Production | Ron Greenstein | Executive Assistant |
| Sound | Al Decker | Supervising Sound Editor |
| Sound | Mark Linden | Supervising Sound Editor |
| Sound | Ruth Bird | Music Editor |
| Costume & Make-Up | Herita Jones | Key Makeup Artist |
