Manson Law, a celebrated stockbroker in Hong Kong, is injured in a car accident. The police, led by Inspector Jack Ho, discovers a military surveillance device in the car wreck. Meanwhile, the wiretapper Joe Szema is unveiling his extensive plan that targets the mysterious financial conglomerate, the Landlord Club. The fate of these three men soon intertwines in the cat-and-mouse game that may bring down the entire stock market.
Unfortunately the movie Overheard 2 is not yet available on HBO Max.
| Writing | Felix Chong Man-Keung | Writer |
| Writing | Alan Mak Siu-Fai | Writer |
| Directing | Felix Chong Man-Keung | Director |
| Directing | Alan Mak Siu-Fai | Director |
| Camera | Anthony Pun Yiu-Ming | Director of Photography |
| Production | Ronald Wong | Co-Producer |
| Writing | Felix Chong Man-Keung | Screenplay |
| Sound | Sona Balam | Recording Supervision |
| Production | Tang Wai-But | Post Producer |
| Writing | Alan Mak Siu-Fai | Story |
| Directing | Sam Ip | Assistant Director |
| Editing | Stéphane Ma | Color Timer |
| Writing | Alan Mak Siu-Fai | Screenplay |
| Directing | Dion Lam Dik-On | Action Director |
| Camera | Cheng Yat-fai | Dolly Grip |
| Camera | Ho Yun-Tai | First Assistant Camera |
| Production | Chor Chun Lau | Production Assistant |
| Writing | Felix Chong Man-Keung | Story |
| Sound | Kinson Tsang King-Cheung | Sound Designer |
| Directing | Ho Ying-Ngai | Continuity |
| Production | Jannie Wai | Production Coordinator |
| Visual Effects | Alex Lim | Visual Effects Supervisor |
| Production | Steven Hui | Production Coordinator |
| Production | Matthew Tai Pak-Ho | Assistant Production Manager |
| Production | Sakmongkon Pongmaneerat | Post Production Coordinator |
| Production | Nepasnan S. | Post Production Coordinator |
| Editing | Apasri Titatarn | Color Timer |
| Directing | Daniel Ho | Continuity |
| Production | Stephen Lam Bing-Kwan | Production Executive |
| Camera | Jack Lam | Third Assistant Camera |
| Camera | Jimmy Wong | Steadicam Operator |
| Camera | Justine Yeung | Still Photographer |
| Camera | Chi Fai Lau | Best Boy Grip |
| Directing | Jonathan Li Tsz-Chun | Assistant Director |
| Production | Chao Rong | Executive Producer |
| Crew | Benny Kung | Post Production Assistant |
| Art | Man Lim-Chung | Production Design |
| Art | Renee Wong | Assistant Art Director |
| Editing | Curran Pang | Editor |
| Crew | Chan Kwok-Hung | Second Unit Cinematographer |
| Camera | Lo Lau-Fai | Best Boy Grip |
| Production | Bobbie Wong | Post Producer |
| Visual Effects | Lee Kai-Man | Animation |
| Visual Effects | Mok Wai-Man | Animation |
| Visual Effects | Leung Wai-Man | Animation |
| Lighting | Wong Wai-Chuen | Gaffer |
| Visual Effects | Chui Tak-Biu | Animation |
| Production | Salita Jaiboon | Post Production Coordinator |
| Visual Effects | Sherman Chung Shu-Man | Animation |
| Visual Effects | Ng Man-Lung | Animation |
| Visual Effects | Kwan Ho-Yeung | Animation |
| Visual Effects | Lam Chau-Hung | Animation |
| Editing | Wong Kwok-Fai | Color Timer |
| Visual Effects | Kin Ping Cheng | Animation |
| Production | Weilin Li | Production Assistant |
| Sound | Comfort Chan | Original Music Composer |
| Production | Zhang Hao | Line Producer |
| Production | Sze Yeung-Ping | Executive Producer |
| Production | Shi Nansun | Producer |