London, 1956. Genius actor and film director Laurence Olivier is about to begin the shooting of his upcoming movie, premiered in 1957 as The Prince and the Showgirl, starring Marilyn Monroe. Young Colin Clark, who dreams on having a career in movie business, manages to get a job on the set as third assistant director.
Unfortunately the movie My Week with Marilyn is not yet available on HBO Max.
| Writing | Colin Clark | Book |
| Sound | Conrad Pope | Original Music Composer |
| Costume & Make-Up | Jill Taylor | Costume Designer |
| Sound | Maggie Rodford | Music Supervisor |
| Sound | Dana Sano | Music Supervisor |
| Sound | Alexandre Desplat | Main Title Theme Composer |
| Sound | Conrad Pope | Conductor |
| Sound | Lang Lang | Musician |
| Sound | Michelle Williams | Songs |
| Costume & Make-Up | Jenny Shircore | Makeup Designer |
| Costume & Make-Up | Jenny Shircore | Hair Designer |
| Crew | Jane Gibson | Choreographer |
| Crew | Kathleen Marshall | Choreographer |
| Crew | Denise Faye | Choreographer |
| Crew | Penny Ryder | Stunt Double |
| Directing | Guy Heeley | First Assistant Director |
| Costume & Make-Up | Charlotte Sewell | Costume Supervisor |
| Production | Jason Wheeler | Location Manager |
| Sound | Richard Dyer | Sound Mixer |
| Directing | Vicki Howe | Script Supervisor |
| Lighting | Jules Fisher | Lighting Design |
| Lighting | Peggy Eisenhauer | Lighting Design |
| Directing | Charlie Reed | Second Assistant Director |
| Directing | Chris Foggin | Third Assistant Director |
| Camera | Adam Coles | Focus Puller |
| Camera | Rupert Lloyd-Parry | Key Grip |
| Costume & Make-Up | Martin Pakledinaz | Costume Designer |
| Art | Mike Power | Property Master |
| Lighting | Mark Clayton | Gaffer |
| Camera | Laurence Cendrowicz | Still Photographer |
| Visual Effects | Mark Holt | Special Effects Supervisor |
| Crew | Julian Spencer | Stunt Coordinator |
| Crew | Belinda McGinley | Stunts |
| Visual Effects | Sheila Wickens | Visual Effects Supervisor |
| Visual Effects | Alan Church | Visual Effects Supervisor |
| Sound | Nick Lowe | Supervising Sound Editor |
| Sound | Catherine Hodgson | Sound Effects Editor |
| Sound | Alastair Sirkett | Sound Effects Editor |
| Sound | Myron Nettinga | Sound Effects Editor |
| Sound | Mike Dowson | Sound Re-Recording Mixer |
| Sound | Adam Scrivener | Sound Re-Recording Mixer |
| Sound | Paul Hanks | Foley Artist |
| Sound | Ian Waggott | Foley Artist |
| Crew | Tania Blunden | Post Production Supervisor |
| Directing | Simon Curtis | Director |
| Writing | Adrian Hodges | Screenplay |
| Production | David Parfitt | Producer |
| Production | Harvey Weinstein | Producer |
| Production | Deborah Aquila | Casting |
| Production | Nina Gold | Casting |
| Production | Tricia Wood | Casting |
| Camera | Ben Smithard | Director of Photography |
| Art | Kevin Day | Standby Property Master |
| Editing | Adam Recht | Editor |
| Production | Bob Weinstein | Executive Producer |
| Production | Kelly Carmichael | Executive Producer |
| Production | Cleone Clarke | Associate Producer |
| Production | Mark Cooper | Co-Producer |
| Production | Simon Curtis | Executive Producer |
| Production | Christine Langan | Executive Producer |
| Production | Jamie Laurenson | Executive Producer |
| Production | Ivan Mactaggart | Executive Producer |
| Production | Colin Vaines | Co-Executive Producer |
| Art | Donal Woods | Production Design |
| Art | Charmian Adams | Supervising Art Director |
| Art | Mark Kebby | Art Direction |
| Art | Judy Farr | Set Decoration |
| Production | Sara Desmond | Production Manager |
