West Point, New York, 1830. When a cadet at the burgeoning military academy is found hanged with his heart cut out, the top brass summons former New York City constable Augustus Landor to investigate. While attempting to solve this grisly mystery, the reluctant detective engages the help of one of the cadets: a strange but brilliant young fellow by the name of Edgar Allan Poe.
Unfortunately the movie The Pale Blue Eye is not yet available on HBO Max.
| Production | Tracey Landon | Executive Producer |
| Production | Buddy Patrick | Executive Producer |
| Production | Ryan Donnell Smith | Executive Producer |
| Production | Dylan Weathered | Executive Producer |
| Camera | Masanobu Takayanagi | Director of Photography |
| Art | Stefania Cella | Production Design |
| Art | Michael E. Goldman | Art Direction |
| Art | Troy Sizemore | Supervising Art Director |
| Art | Jane Madden | Set Decoration |
| Costume & Make-Up | Kasia Walicka Maimone | Costume Design |
| Production | Evelyn Chafin | Production Supervisor |
| Production | Tracey Landon | Unit Production Manager |
| Production | Corey Sklov | Production Supervisor |
| Directing | Christopher Surgent | First Assistant Director |
| Directing | Takahide Kawakami | Second Assistant Director |
| Directing | Jordan Weir | Second Second Assistant Director |
| Directing | Ana Drasinover | Additional Second Assistant Director |
| Sound | Tom Williams | Sound Mixer |
| Crew | Antonio Grassano | Special Effects Technician |
| Visual Effects | David C. Sales | Visual Effects Coordinator |
| Crew | Adam Hart | Stunt Coordinator |
| Costume & Make-Up | Autumn Butler | Makeup Department Head |
| Costume & Make-Up | Rachel Geary | Makeup Artist |
| Costume & Make-Up | Bunny Giuliani | Hairstylist |
| Costume & Make-Up | Lori Guidroz | Hair Department Head |
| Costume & Make-Up | Nancy Keslar | Hairstylist |
| Costume & Make-Up | Rachel Kick | Key Makeup Artist |
| Costume & Make-Up | Krista Montgomery | Hairstylist |
| Costume & Make-Up | Darylin Nagy | Makeup Artist |
| Costume & Make-Up | Eve Negley | Makeup Artist |
| Costume & Make-Up | Ned Neidhardt | Makeup Department Head |
| Costume & Make-Up | Christopher Patrick | Makeup Artist |
| Costume & Make-Up | Jason Renner | Key Hair Stylist |
| Costume & Make-Up | Melissa Yonkey | Key Hair Stylist |
| Art | Patrick Campbell | Storyboard Artist |
| Art | Kate Dougherty | Set Designer |
| Art | John Finnell | Art Department Coordinator |
| Crew | Mike Garvey | Special Effects |
| Crew | Kyle Roberts | Special Effects |
| Visual Effects | Jeremy Hays | VFX Supervisor |
| Visual Effects | Brandon England | Visual Effects |
| Visual Effects | Alexander Ha | Visual Effects |
| Camera | Scott Garfield | Still Photographer |
| Camera | Sean Flaherty | Key Grip |
| Camera | Drew Roberts | Drone Pilot |
| Directing | Scott Peterson | Script Supervisor |
| Crew | Cole Eckert | Stunts |
| Crew | Adam Hart | Stunt Double |
| Crew | Erin Haus | Stunt Double |
| Crew | Michelle Elise Shock | Stunt Double |
| Crew | Daniel Stevens | Stunts |
| Crew | Dawson Towery | Stunt Double |
| Crew | Joseph Edward Myers | Stunts |
| Crew | Doug Coleman | Stunts |
| Sound | Sam Okell | Scoring Mixer |
| Crew | Tom Russbueldt | Score Engineer |
| Editing | Alex Kaufman | Dailies Operator |
| Editing | Andrew Dearnley | Dailies Operator |
| Crew | Ted Williams | Special Effects |
| Crew | Cheryl L. Sorice | Special Effects |
| Visual Effects | Jeremy Hays | Special Effects Supervisor |
| Lighting | Brian Abate | Lighting Technician |
| Camera | James W. Apted | First Assistant "A" Camera |
| Camera | Matt Beran | Camera Loader |
| Camera | Richard S. Crumrine Jr. | First Assistant "B" Camera |
| Camera | Chad Cunningham | Grip |
| Crew | Kevin Gilligan | Techno Crane Operator |
| Lighting | Dakota Hadix | Rigging Grip |
| Camera | Daniel Hernandez | Digital Imaging Technician |
| Camera | John Janusek | Key Grip |
| Lighting | Jay Kemp | Gaffer |
| Crew | Dana Morris | Steadycam |
| Camera | Dana Morris | Camera Operator |
| Camera | David Jaxx Nagro | Dolly Grip |
| Camera | Dan Sotak | Second Assistant Camera |
| Crew | Doug Stanczak | Video Assist Operator |
| Camera | John E. Tremba | Grip |
| Lighting | Mark Yancey | Electrician |
| Sound | Alistair Bolt | ADR Mixer |
| Sound | Benjamin Darier | ADR Mixer |
| Sound | Mark DeSimone | ADR Mixer |
| Sound | Jennie Shea | ADR Recordist |
| Sound | James Trusson | ADR Mixer |
| Art | Jason Baker | Props |
| Costume & Make-Up | Jennifer Bechak | On Set Dresser |
| Art | Kate Bechak | Set Designer |
| Art | Raquel Bouvy | Graphic Designer |
| Art | Chip Eccles | Construction Foreman |
| Art | Thomas J. Garrigan | Assistant Property Master |
| Art | Allison Klein | Assistant Art Director |
| Art | Kris Peck | Property Master |
| Art | Mandy Simpson | Props |
| Writing | Scott Cooper | Writer |
| Production | Vincent Grashaw | Co-Executive Producer |
| Editing | Dylan Tichenor | Editor |
| Writing | Louis Bayard | Novel |
| Sound | Chris Chae | Sound Re-Recording Mixer |
| Sound | Chris Chae | Sound Designer |
| Sound | Skip Lievsay | Sound Re-Recording Mixer |
| Sound | Skip Lievsay | Supervising Sound Editor |
| Sound | Wyatt Sprague | Sound Effects Editor |
| Costume & Make-Up | Melissa Yancey | Set Costumer |
| Costume & Make-Up | Darcie Buterbaugh | Costume Supervisor |
| Art | Mitchell Poljak | Set Dresser |
| Sound | Howard Shore | Original Music Composer |
| Production | Chris Sharp | Executive Producer |
| Directing | Scott Cooper | Director |
| Production | Christian Bale | Producer |
| Production | Scott Cooper | Producer |
| Production | John Lesher | Producer |
| Production | Tyler Thompson | Producer |
