Set in a world not unlike mid-20th century America, The Vandal centers on Harold, whose tormented search for peace from traumatic loss results in an unexpectedly destructive awakening after he undergoes a lobotomy. When the procedure “turns his mind inside out” and his great love is suddenly gone, Harold’s desperate search intensifies.
Unfortunately the movie The Vandal is not yet available on HBO Max.
| Directing | Eddie Alcazar | Director |
| Production | Sandy Haddad | Executive Producer |
| Writing | Eddie Alcazar | Writer |
| Visual Effects | Kevin Glick | Animation |
| Art | Paul Rice | Production Design |
| Crew | Steve Kaye | Mixing Engineer |
| Editing | Aubrey Woodiwiss | Colorist |
| Costume & Make-Up | Nicole Sanchez | Makeup & Hair |
| Camera | Edwin Allen Richards IV | Key Grip |
| Sound | Thor Flack | Sound Designer |
| Camera | Nicholas Kirsten | Key Grip |
| Camera | James Bianchi | BTS Footage |
| Production | Ted Robbins | Executive Producer |
| Crew | Maura Takeshita | Scenic Artist |
| Art | Jonathan Dockery | Painter |
| Sound | Max Wrightson | Music Score Producer |
| Art | Joshua Prigg | Storyboard Artist |
| Editing | Steve Forner | Editor |
| Production | Jeannine Fisher | Casting Director |
| Production | Scott Franklin | Executive Producer |
| Production | Tony Candelaria | Co-Producer |
| Visual Effects | Ethan Chancer | VFX Artist |
| Editing | Doug Pray | Additional Editing |
| Crew | Jason P. Walker | Special Effects |
| Sound | Jacob Young | Sound Designer |
| Camera | Jake A. Poole | Grip |
| Visual Effects | Adam Watson | VFX Supervisor |
| Production | Matthew Hazelrig | Co-Producer |
| Visual Effects | Justin Kohn | Animation |
| Crew | Danny Hiele | Cinematography |
| Editing | Bree Brackett | Color Assistant |
| Visual Effects | Manikandan Sathyabalan | VFX Supervisor |
| Editing | Todd Crites | Additional Editing |
| Production | Eddie Alcazar | Producer |
| Sound | Dean Hurley | Sound Re-Recording Mixer |
| Camera | Alex Ho | Best Boy Grip |
| Crew | Quinn McSherry | Scenic Artist |
| Art | Akira Beard | Painter |
| Costume & Make-Up | Janise Garcia | Assistant Costume Designer |
| Visual Effects | Misha Klein | Lead Animator |
| Production | Javier Lovato | Producer |
| Crew | Matthew Hazelrig | Cinematography |
| Art | David Offner | Art Direction |
| Camera | Simon Hayes | Second Assistant Camera |
| Production | Darren Aronofsky | Executive Producer |
| Production | Matthew W. Krul | Executive Producer |
| Production | Jake Bloch | Co-Producer |
| Editing | Ale Amato | Color Assistant |
| Crew | Steven Goldfisher | Legal Services |
| Costume & Make-Up | John Mark | Assistant Costume Designer |
| Editing | Eddie Alcazar | Editor |
| Production | Thomas Hildreth | Producer |
| Art | Calder Greenwood | Production Design |
| Costume & Make-Up | Francine Lecoultre | Costume Designer |
| Camera | Joe Guzman | Key Grip |
| Sound | Ethan Carranza | Sound Mixer |
| Camera | John Sekula | First Assistant Camera |
| Lighting | James Bond | Gaffer |
| Lighting | T.J. Signaigo | Best Boy Electric |
| Production | James Allen | Key Production Assistant |
| Sound | Paul Gonzales | Sound Mixer |
| Directing | Stuart Sauvarin | First Assistant Director |
| Crew | Flying Lotus | Thanks |
| Crew | Jason Kolowski | Thanks |
| Crew | Steven Soderbergh | Thanks |
| Crew | Jonathan Keogh | Thanks |
| Crew | Eric Towner | Thanks |
| Crew | Luke Ciarrocchi | Thanks |
| Crew | Andrew Weisblum | Thanks |
| Visual Effects | Robert Morgan | Animation |
| Sound | Kris Bowers | Original Music Composer |
