After an abrupt and violent encounter with a French warship inflicts severe damage upon his ship, a captain of the British Royal Navy begins a chase over two oceans to capture or destroy the enemy, though he must weigh his commitment to duty and ferocious pursuit of glory against the safety of his devoted crew, including the ship's thoughtful surgeon, his best friend.
Unfortunately the movie Master and Commander: The Far Side of the World is not yet available on HBO Max.
| Directing | Peter Weir | Director |
| Writing | Peter Weir | Screenplay |
| Writing | John Collee | Screenplay |
| Production | Duncan Henderson | Producer |
| Production | Alan B. Curtiss | Executive Producer |
| Production | Samuel Goldwyn Jr. | Producer |
| Editing | Lee Smith | Editor |
| Writing | Patrick O'Brian | Novel |
| Production | Peter Weir | Producer |
| Camera | Russell Boyd | Director of Photography |
| Production | Matthew Humphreys | Accounting Clerk Assistant |
| Production | Fiona Weir | Casting |
| Production | Mary Selway | Casting |
| Costume & Make-Up | Wendy Stites | Costume Design |
| Crew | David Oliver | Stand In |
| Crew | Erik Rondell | Stunts |
| Art | Héctor Romero | Art Direction |
| Art | Christopher Neely | Leadman |
| Art | Bruce Crone | Art Direction |
| Art | Carlos Benassini | Set Designer |
| Art | Robert Gould | Set Decoration |
| Art | Gerald Lehtola | Art Department Coordinator |
| Art | Gary Deaton | Construction Coordinator |
| Art | Nick Navarro | Set Designer |
| Art | Mark Hitchler | Set Designer |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Sound | Jeffrey A. Humphreys | Boom Operator |
| Art | William Sandell | Production Design |
| Sound | Richard King | Sound Designer |
| Sound | Paul Massey | Sound Re-Recording Mixer |
| Art | Mark W. Mansbridge | Art Direction |
| Art | Marco Niro | Art Direction |
| Costume & Make-Up | Edouard F. Henriques | Makeup Department Head |
| Art | Manuel Martínez | Set Designer |
| Art | William Hiney | Set Designer |
| Production | Michael John Meehan | Location Manager |
| Crew | Christopher Terrill | Thanks |
| Visual Effects | Helen Elswit | Visual Effects Producer |
| Camera | Matthew J. Siegel | Camera Operator |
| Visual Effects | Stefen Fangmeier | Visual Effects Supervisor |
| Visual Effects | Julia Frey | Visual Effects Producer |
| Crew | Doug Coleman | Stunt Coordinator |
| Camera | Jamie Barber | Camera Operator |
| Editing | Jim Passon | Color Timer |
| Directing | Wilma Garscadden-Gahret | Script Supervisor |
| Crew | Daniel Sudick | Special Effects Coordinator |
| Camera | George Billinger III | Camera Operator |
| Camera | Don Reddy | Camera Operator |
| Camera | Martha Susana Ramos | Camera Operator |
| Crew | Russell McEntyre | Transportation Coordinator |
| Crew | Maxine Arbarbara | Studio Teachers |
| Crew | Judith M. Brown | Studio Teachers |
| Visual Effects | Mitchell S. Drain | Visual Effects Supervisor |
| Sound | Michael W. Mitchell | Sound Effects Editor |
| Visual Effects | Pablo Helman | Visual Effects Supervisor |
| Directing | Brenda Lopez | Script Supervisor |
| Crew | Daniel W. Barringer | Stunt Coordinator |
| Costume & Make-Up | Dawn Y. Line | Costume Supervisor |
| Visual Effects | Stephanie Hornish | Visual Effects Producer |
| Camera | Guillermo Rosas | Camera Operator |
| Crew | Peter Epstein | Stunts |
| Production | Meyer Gottlieb | Co-Producer |
| Sound | Iva Davies | Original Music Composer |
| Production | Todd Arnow | Co-Producer |
| Sound | Richard Tognetti | Original Music Composer |
| Production | Bob Weinstein | Co-Producer |
| Crew | Jeremy Fry | Stunts |
| Crew | Mark Norby | Stunts |
| Crew | Mickey Giacomazzi | Stunts |
| Camera | Harry K. Garvin | Steadicam Operator |
| Crew | Patrick Esposito | Post-Production Manager |
| Crew | Bobby Mara | Propmaker |
| Art | James Arrigo | Construction Foreman |
| Costume & Make-Up | Marcelina Barraza | Seamstress |
| Crew | Jeffrey Harlacker | Post Production Supervisor |
| Lighting | Derick Pritchard | Lighting Technician |
| Sound | Linda Yeaney | First Assistant Sound Editor |
| Crew | Orlando Chongo | Craft Service |
| Crew | David Ebner | Digital Effects Supervisor |
| Costume & Make-Up | Jennifer Lewicki | Set Dressing Supervisor |
| Camera | Robert Hill | First Assistant Camera |
| Crew | Jeffrey D. Stevens | Set Medic |
| Crew | Larry Hoki | Projection |
| Crew | Heather Anderson | Set Production Assistant |
| Costume & Make-Up | Javier Arrieta | Set Costumer |
| Crew | Sassica Francis-Bruce | Post Production Assistant |
| Costume & Make-Up | Edith I. Amezcua | Hairstylist |
| Crew | Timothy Michael Cairns | Quality Control Supervisor |
| Crew | Joey Anaya | Stunts |
| Art | Anthony Gaudio | Standby Painter |
| Crew | Judy Dickerson | Dialect Coach |
| Art | Kevin Ishioka | Assistant Art Director |
| Crew | Tom Gilhooley | Driver |
| Crew | Sal Alvarez | Loader |
| Crew | Adam Barth | Video Assist Operator |
| Lighting | Stephen Johnstone | Rigging Gaffer |
| Costume & Make-Up | Yolanda Toussieng | Hair Department Head |
| Crew | Gabriel De Cunto | Makeup Effects |
| Crew | Wayne Stone | Transportation Captain |
| Crew | Tom Barrett | Visual Effects Editor |
| Visual Effects | Brian Cuscino | I/O Supervisor |
| Sound | Andy Potvin | Dolby Consultant |
| Costume & Make-Up | Robin Beauchesne | Makeup Artist |
| Crew | Jay Cooper | Sequence Supervisor |
| Visual Effects | Christopher Bonnstetter | 3D Supervisor |
| Visual Effects | Kimberly Adams | Visual Effects Coordinator |
| Crew | Blondel Aidoo | Executive Visual Effects Producer |
| Production | Rafael Cuervo | Unit Manager |
| Art | Daren Dochterman | Production Illustrator |
| Camera | Stephen Vaughan | Still Photographer |
| Directing | Dani Morrow | Layout |
| Crew | Quincy Perkins | Translator |
| Crew | Steve Auvenshine | Armorer |
| Production | Todd Arnow | Unit Production Manager |
| Lighting | David Lee | Gaffer |
| Lighting | Rick Maddux | Best Boy Electric |
| Production | Nicole Hilliard-Forde | Casting Associate |
| Crew | Kosta Saric | Visual Effects Editor |
| Lighting | Willie E. Dawkins | Electrician |
| Crew | Eric Putz | Telecine Colorist |
| Production | Jen Hutchinson | Production Accountant |
| Production | Andy Foster | Production Coordinator |
| Crew | Sandy O'Neill | Unit Publicist |
| Crew | Mitch Toles | Utility Stunts |
| Editing | John Lee | First Assistant Editor |
| Sound | Simon Leadley | Music Editor |
| Lighting | Oscar Gomez | Rigging Grip |
| Visual Effects | Kathleen Beeler | Digital Compositors |
| Production | Derek Jan Vermaas | Production Office Coordinator |
| Production | Bridget Bourke | Line Producer |
| Crew | Brian Gee | Technical Supervisor |
| Lighting | Michael Sean Foley | Lighting Artist |
| Sound | Art Rochester | Production Sound Mixer |
| Production | Brice Criswell | Researcher |
| Sound | Nancy Parker | Foley |
| Crew | Jan Bryant | Stunts |
| Crew | Joey Box | Stunts |
| Editing | Gary Burritt | Negative Cutter |
| Sound | Iva Davies | Musician |
| Camera | Phil Pastuhov | Aerial Director of Photography |
| Crew | Rick Hicks | Marine Coordinator |
| Art | Giovanni Bianchini | Set Dresser |
| Directing | Alan B. Curtiss | First Assistant Director |
| Camera | Chris Centrella | Key Grip |
| Costume & Make-Up | Julia Gombert | Ager/Dyer |
| Visual Effects | Robert Stromberg | Visual Effects Designer |
| Crew | Ivor Shier | Pilot |
| Sound | James Bolt | Additional Sound Re-Recording Mixer |
| Sound | Laura Graham | ADR Editor |
| Costume & Make-Up | Mary C. Lane | Key Costumer |
| Art | Richard F. Anderson | Assistant Property Master |
| Costume & Make-Up | Kate Biscoe | Key Makeup Artist |
| Crew | Jesus Chavez | Animal Wrangler |
| Production | Louis Elman | ADR Voice Casting |
| Camera | Raúl Cortés | Grip |
| Production | Kazimierz Suwala | Local Casting |
| Camera | Brian Rosso | Dolly Grip |
| Sound | R.J. Kizer | Supervising ADR Editor |
| Costume & Make-Up | Rosa Isela Atondo | Tailor |
| Visual Effects | Talmage Watson | Matchmove Supervisor |
| Production | Daniel A. Mondschain | Assistant Production Coordinator |
| Sound | Andrew Bock | Assistant Sound Editor |
| Directing | David M. Bernstein | Second Assistant Director |
| Visual Effects | Yuichiro Yamashita | CG Animator |
| Visual Effects | Michael Hemschoot | Lead Animator |
| Crew | Troy Gilbert | Stunts |
| Crew | Chris O'Hara | Stunts |
| Sound | Christopher Gordon | Original Music Composer |
| Art | Doug Harlocker | Property Master |
| Sound | Susan Dawes | ADR Editor |
| Sound | Tim Gomillion | Sound Recordist |
| Sound | John A. Larsen | Supervising ADR Editor |
| Crew | Tad Griffith | Stunts |
| Crew | Chris Palermo | Stunts |
| Sound | Robert Fernandez | Scoring Mixer |
| Crew | Tom Morga | Stunts |
| Costume & Make-Up | Erin Henriques | Makeup Artist |
| Camera | Paul Gonsoulin | Second Assistant Camera |
| Visual Effects | Shannan Burkley | Matte Painter |
| Costume & Make-Up | Anthony Almaraz | Costumer |
| Camera | Michaele Shapiro | Additional Second Assistant Camera |
| Production | Judith Bouley | Additional Casting |
| Art | Liza Rudolph | Property Buyer |
| Camera | Andrew Stroud | Focus Puller |
| Editing | Anna Josenhans | Assistant Editor |
| Production | Marisa Clayton | Post Production Coordinator |
| Visual Effects | Jeff Doran | Compositing Supervisor |
| Editing | Kent Pritchett | Colorist |
| Editing | Michael Eaves | Digital Intermediate Colorist |
| Sound | Christopher Gordon | Conductor |
| Sound | Gary A. Hecker | Foley Artist |
| Art | Gabriel Pérez | Construction Buyer |
| Editing | Jack Lewars | Digital Colorist |
| Crew | Martha Susana Ramos | Special Effects Assistant |
| Visual Effects | Paul Vega | Visual Effects Assistant Editor |
| Lighting | Jeff Kluttz | Key Rigging Grip |
| Crew | Stuart Clark | Stunt Double |
| Production | David Travis Grieb | Production Driver |
| Directing | Steven F. Beaupre | Second Second Assistant Director |
| Camera | Michael James Fahey | Best Boy Grip |
| Production | Claudio Bautista | Extras Casting Assistant |
| Production | Jessica Teach | Production Assistant |
| Art | Jane Fitts | Graphic Designer |
| Sound | Christopher Flick | Foley Supervisor |
| Visual Effects | Jessica O'Keefe | Visual Effects Production Assistant |
| Camera | Mike Cahoon | Assistant Camera |
| Camera | James D. Wickman | Dolly Grip |
| Visual Effects | Robert Bourgeault | CG Artist |
| Visual Effects | Daniel Becerra | Rotoscoping Artist |
| Art | David Russell | Storyboard Artist |
| Visual Effects | Matthew Hackett | CG Animator |
| Production | Christopher Ciketic | Assistant Accountant |
| Production | Anna Roth | Production Consultant |
| Production | Kimberly Cooper | Production Executive |
| Camera | Sergio Berry | Camera Trainee |
| Editing | Tommy Hooper | Digital Color Timer |
| Lighting | Chris Culliton | Assistant Chief Lighting Technician |
| Directing | David R. Ellis | Second Unit Director |
| Sound | Wendy Czajkowsky | ADR Mixer |
| Editing | Hilda Saffari | Digital Intermediate Producer |
| Production | Lucy Amador | First Assistant Accountant |
| Art | Sandra O'Toole | Textile Artist |
| Sound | Derek Casari | ADR Engineer |
| Sound | Robbie Ashhurst | ADR Recordist |
| Production | Mimi Munson | Researcher |
| Production | Tom Chung | Second Assistant Accountant |
| Crew | Joaquin Cervera | Second Unit |
| Directing | Michelene Mundo | Assistant Director |
| Crew | Robert Alidon | Special Effects Technician |
| Editing | Martha Pike | Digital Intermediate Editor |
| Visual Effects | Nathan McGuinness | Visual Effects Supervisor |
| Sound | Hugo Weng | Dialogue Editor |
| Sound | Hamilton Sterling | Sound Effects Editor |
| Visual Effects | Jeff Werner | Visual Effects Producer |
| Crew | Max Daniels | Stunts |
