The project was initiated as the result of the forced cancellation of Eric’s concerts scheduled for May 2021 at the Royal Albert Hall due to the continued disruption caused by the pandemic. Looking for a viable alternative and hoping to keep his options open, he reconvened with his band to the English countryside and staged a concert in the presence of only the participants themselves while letting the cameras roll. (Eric’s wife, Melia, the sole outside observer inspired the Sessions title.) The mostly acoustic set was envisioned to be like an "Eric Clapton Unplugged II," but not quite, as three songs are played with electric guitars. The result became far more than simply a sequence of greatest hits. Rather, it’s one of the most intimate and authentic performances of his entire career, an offering flush with real insight into the make-up of his indelible catalogue.
Unfortunately the movie Eric Clapton: The Lady in the Balcony - Lockdown Sessions is not yet available on HBO Max.
Crew | Neil Georges (Cowdray House) | Thanks |
Production | Matt Cummins | Production Manager |
Camera | Warren Buckingham | Focus Puller |
Writing | Eric Clapton | Writer |
Production | Olivia Chads | Production Runner |
Camera | Oleg Poupko | Focus Puller |
Writing | David Barnard | Writer |
Crew | Lady Cowdray (Cowdray House) | Thanks |
Camera | James Carroll | Camera Operator |
Camera | Gilles Mallard | Camera Operator |
Sound | Russ Titelman | Music Producer |
Sound | Richard King | Recording Supervision |
Sound | Mark Theriault | Sound Engineer |
Crew | Lord Cowdray (Cowdray House) | Thanks |
Camera | Sam Garwood | Focus Puller |
Sound | Ollie Nesham | Sound Engineer |
Camera | Barrie Dodd | Camera Operator |
Camera | Dave Evans | Camera Operator |
Crew | Guy Pridie (Cowdray House) | Thanks |
Camera | Dave Tree | Still Photographer |
Camera | John Simmons | Camera Operator |
Camera | Andy Watt | Camera Operator |
Camera | Adam Rodgers | Camera Operator |
Crew | Joanna Harris | Thanks |
Sound | Robert Collins | Recording Supervision |
Camera | Ashley Bond | Focus Puller |
Sound | Richard King | Music Arranger |
Production | Michael Scanlon | Production Assistant |
Sound | Simon Climie | Music Producer |
Directing | Billy Payn | First Assistant Director |
Crew | Ed Phul | Technical Supervisor |
Sound | Michael Fitzsimons | Audio Post Coordinator |
Directing | Samuel Fullerton | Second Assistant Director |
Camera | Mark Sayers | Camera Operator |
Lighting | Mark England | Best Boy Lighting Technician |
Lighting | Andy Walton | Lighting Director |
Lighting | Paul Burns | Gaffer |
Camera | James Woods | Camera Technician |
Costume & Make-Up | Jackie Tyson | Makeup & Hair |
Production | Jess Netley-Verrinder | Post Production Producer |
Lighting | Harry Gay | Electrician |
Production | Tony Maher | Post Production Producer |
Camera | Dave Griffiths | Video Report |
Editing | Adam Sample | Online Editor |
Production | Rik Tester | Post Production Producer |
Lighting | Tom Parkinson | Electrician |
Lighting | Mike Sanchez | Electrician |
Production | Chris Hooper | General Manager |
Sound | Sophie Lambert | Sound Engineer |
Camera | Andrew Trewartha | Assistant Camera |
Camera | Ben Parish | Assistant Camera |
Lighting | Ian Snuggs | Rigging Supervisor |
Lighting | Steve Smyth | Electrician |
Camera | Simon Stevenson | Camera Technician |
Production | Martin Dacre | Executive Producer |
Production | Geoff Kempin | Executive Producer |
Editing | Mark 'Reg' Wrench | Editor |
Production | Peter Worsley | Producer |
Production | James Chads | Producer |
Production | Michael Eaton | Executive Producer |
Production | Alice Webb | Executive Producer |
Directing | David Barnard | Director |
Editing | Jerry Chater | Editor |
Editing | Andy Lee | Colorist |