Cocky researcher Sebastian Caine is working on a project to make living creatures invisible. Determined to achieve the ultimate breakthrough, Caine pushes his team to move to the next phase — using himself as the subject. The test is a success, but when the process can't be reversed and Caine seems doomed to future without flesh, he starts to turn increasingly dangerous.
Unfortunately the movie Hollow Man is not yet available on HBO Max.
| Directing | Paul Verhoeven | Director |
| Editing | Mark Goldblatt | Editor |
| Production | Alan Marshall | Producer |
| Production | Douglas Wick | Producer |
| Writing | Andrew W. Marlowe | Screenplay |
| Production | Marion Rosenberg | Executive Producer |
| Editing | Ron Vignone | Editor |
| Camera | Jost Vacano | Director of Photography |
| Sound | Jerry Goldsmith | Original Music Composer |
| Production | Howard Feuer | Casting |
| Costume & Make-Up | Ellen Mirojnick | Costume Design |
| Production | Stacy Lumbrezer | Co-Producer |
| Production | Kenneth Silverstein | Associate Producer |
| Crew | Lisa Hoyle | Stunt Double |
| Writing | H.G. Wells | Novel |
| Art | Sue Chan | Assistant Art Director |
| Costume & Make-Up | James W. Tyson | Costume Supervisor |
| Crew | Kevin Flatow | Post Production Assistant |
| Crew | Greg Brickman | Stunts |
| Sound | Carmen Flores De Tanis | Assistant Sound Editor |
| Art | Jim Wardell | Greensman |
| Art | Don Lanning | Sculptor |
| Art | Daniel R. Jennings | Set Designer |
| Crew | Jim Berney | CG Supervisor |
| Writing | Gary Scott Thompson | Story |
| Art | John M. Dwyer | Set Decoration |
| Art | Katherine Lambert | Art Department Coordinator |
| Camera | Gregory Irwin | First Assistant Camera |
| Camera | Gary Dagg | Key Grip |
| Camera | Michael Douglas Middleton | Still Photographer |
| Costume & Make-Up | Carrie Bauer | Set Costumer |
| Art | Joseph Martin | Location Scout |
| Camera | Jim Gordon | Grip |
| Costume & Make-Up | Jim Husbands | Set Dressing Artist |
| Crew | Michael Haboush | Stand In |
| Crew | Mark Schouten | Carpenter |
| Writing | Andrew W. Marlowe | Story |
| Costume & Make-Up | Barry R. Koper | Makeup Department Head |
| Art | Dale Allen Pelton | Art Direction |
| Costume & Make-Up | Alec Gillis | Makeup Designer |
| Art | Allan Cameron | Production Design |
| Crew | Scott Stokdyk | Digital Effects Supervisor |
| Crew | Gary Combs | Stunt Coordinator |
| Crew | Gerardo De La Cruz | Systems Administrators & Support |
| Crew | John P. Fasal | Special Sound Effects |
| Crew | Daniel C. McFadden | Loader |
| Crew | Chris Allen | Software Engineer |
| Visual Effects | David Rosenthal | I/O Supervisor |
| Camera | John Trapman | Camera Operator |
| Art | Miles Teves | Conceptual Design |
| Crew | Craig T. Currie | Propmaker |
| Sound | Joseph Geisinger | Production Sound Mixer |
| Costume & Make-Up | Luisa Abel | Makeup Artist |
| Crew | Edward Bellafiore | Production Office Assistant |
| Crew | Aaron Katz | Video Assist Operator |
| Directing | Louis D'Esposito | First Assistant Director |
| Sound | Alexander Courage | Orchestrator |
| Crew | Colin Epstein | Sequence Leads |
| Visual Effects | Krystin Johnson | CG Painter |
| Crew | Ken Bellanca | Driver |
| Crew | Matt Byrne | Utility Stunts |
| Production | Mitchell Bell | Production Coordinator |
| Visual Effects | Hans Metz | Special Effects Supervisor |
| Art | Mike Larrabee | Painter |
| Crew | Joel Renfro | Transportation Coordinator |
| Visual Effects | Kenneth Au | Digital Compositors |
| Crew | Peter S. Elliot | Visual Effects Editor |
| Editing | Jim Passon | Color Timer |
| Editing | Catherine Chase | First Assistant Editor |
| Lighting | Ken W. Ballantine | Lighting Technician |
| Production | Chris Silver Finigan | Production Accountant |
| Sound | Darrell Hall | Music Editor |
| Visual Effects | B.Z. Petroff | Visual Effects Producer |
| Visual Effects | Carol Ashley | 3D Artist |
| Crew | Todd Bates | Makeup Effects |
| Production | Robert Latham Brown | Production Manager |
| Visual Effects | Mitch Deoudes | Visual Effects |
| Crew | Tony Aylett | Machinist |
| Art | Teri Anne Kopp | Property Master |
| Crew | Brian Feeney | Set Production Assistant |
| Sound | Scott A. Hecker | Supervising Sound Editor |
| Visual Effects | Tom Gibbons | Animation Supervisor |
| Crew | Stanley Brossette | Unit Publicist |
| Directing | Haley McLane | Script Supervisor |
| Sound | Raul A. Bruce | Boom Operator |
| Lighting | Shane D. Kelly | Gaffer |
| Lighting | Rell Putt | Rigging Grip |
| Sound | Jason W. Jennings | Sound Effects Editor |
| Visual Effects | Kandece Brown | Visual Effects Coordinator |
| Visual Effects | Craig Hayes | Visual Effects Supervisor |
| Lighting | Benny McNulty | Best Boy Electric |
| Crew | Gilbert B. Combs | Stunt Coordinator |
| Visual Effects | Todd Vaziri | CG Artist |
| Directing | Scott E. Anderson | Second Unit Director |
| Costume & Make-Up | Edward Gould | Costumer |
| Directing | Steve Lonano | Second Second Assistant Director |
| Costume & Make-Up | Dawn Y. Line | Key Costumer |
| Costume & Make-Up | Whitney James | Makeup Supervisor |
| Art | Giacomo G. Ghiazza | Storyboard Artist |
| Sound | Linda Folk | ADR Editor |
| Directing | Juanma Fernández París | Second Assistant Director |
| Art | Craig T. Shordon | Decorator |
| Sound | Michael J. Benavente | Supervising Dialogue Editor |
| Visual Effects | Eric Reynolds | Lead Animator |
| Sound | Jeena M. Phelps | Assistant Dialogue Editor |
| Visual Effects | Scott E. Anderson | Senior Visual Effects Supervisor |
| Crew | Donn Markel | Special Effects Assistant |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Editing | Charlotte Spencer | Assistant Editor |
| Visual Effects | Andy King | Visual Effects Technical Director |
| Camera | Mike Gentile | Second Assistant Camera |
| Sound | Matthew Dettmann | Foley Artist |
| Sound | Susan Dudeck | Supervising ADR Editor |
| Production | Sissy Grover | Assistant Production Coordinator |
| Sound | Nick Vidar | Music Programmer |
| Production | Kenny Gallagher | Second Assistant Accountant |
| Production | Alonzo Ruvalcaba | Head of Production |
| Editing | John Nicolard | Digital Color Timer |
| Visual Effects | Greg Derochie | Compositing Lead |
| Production | J. Chan Claggett | Assistant Location Manager |
| Sound | David Lucarelli | ADR Recordist |
| Crew | Gary D. Bierend | Special Effects Technician |
| Visual Effects | Ralph Sevazlian | VFX Artist |
| Crew | Lester Speight | Stunt Driver |
| Editing | Mo Henry | Negative Cutter |
| Production | Paul-Michel Pierre-Benoist | Location Production Assistant |
| Crew | Laura Lee Connery | Stunt Double |
| Visual Effects | Jordu Schell | Character Designer |
| Production | David Hickey | Payroll Accountant |
| Sound | Richard Duarte | Foley Mixer |
| Production | Terri Douglas | ADR Voice Casting |
| Production | Tish Johnson | Assistant Accountant |
| Visual Effects | Brennan Doyle | Compositing Supervisor |
| Camera | Brian Mussetter | Assistant Camera |
| Visual Effects | Andrew Schwartz | Visual Effects Compositor |
| Visual Effects | Elizabeth Hitt | Animation Coordinator |
| Production | Jennifer Juen | Production Assistant |
| Production | Stephani Hunter | Production Secretary |
| Visual Effects | Uel Hormann | 2D Supervisor |
| Visual Effects | David Stump | VFX Director of Photography |
| Visual Effects | Erik Lee | CG Animator |
| Visual Effects | Wayne Kennedy | Character Modelling Supervisor |
| Sound | Yvette Marxer | Utility Sound |
| Camera | Todd Durboraw | Camera Loader |
| Camera | David Nims | Dolly Grip |
| Sound | Jerry Goldsmith | Conductor |
| Visual Effects | Dennis Webb | I/O Supervisor |
| Crew | Richard L. Hill | Pyrotechnician |
| Visual Effects | Etienne Andlau | Rotoscoping Artist |
| Visual Effects | Brian Keeney | Digital Effects Producer |
| Visual Effects | Stan Parks | Special Effects Supervisor |
| Crew | Phil Culotta | Stunt Double |
