Failed London banker Max Skinner inherits his uncle's vineyard in Provence, where he spent many childhood holidays. Upon his arrival, he meets a woman from California who tells Max she is his long-lost cousin and that the property is hers.
Unfortunately the movie A Good Year is not yet available on HBO Max.
| Camera | Philippe Le Sourd | Director of Photography |
| Directing | Ridley Scott | Director |
| Production | Ridley Scott | Producer |
| Sound | Marc Streitenfeld | Original Music Composer |
| Editing | Dody Dorn | Editor |
| Production | Dixie Chassay | Casting Assistant |
| Writing | Marc Klein | Screenplay |
| Writing | Peter Mayle | Novel |
| Art | Amy Simons | Art Department Coordinator |
| Costume & Make-Up | Fabrizio Sforza | Makeup Artist |
| Art | Frederic Evard | Art Direction |
| Crew | Ernie Malik | Unit Publicist |
| Art | Bárbara Pérez-Solero | Set Decoration |
| Production | Antoinette Boulat | Casting |
| Production | Jina Jay | Casting |
| Art | Robert Cowper | Art Direction |
| Costume & Make-Up | Catherine Leterrier | Costume Design |
| Art | Sonja Klaus | Production Design |
| Costume & Make-Up | Hayat Ouled Dahhou | Hairstylist |
| Directing | Nikki Clapp | Script Supervisor |
| Crew | Alistair Williams | Special Effects |
| Production | Mark Allan | Unit Production Manager |
| Crew | Philippe Guégan | Stunt Coordinator |
| Directing | Darin Rivetti | First Assistant Director |
| Sound | Per Hallberg | Supervising Sound Editor |
| Sound | Paul Massey | Sound Mixer |
| Sound | Del Spiva | Music Editor |
| Sound | Dino DiMuro | Sound Effects Editor |
| Production | Branko Lustig | Unit Production Manager |
| Costume & Make-Up | Camille Janbon | Assistant Costume Designer |
| Sound | Samuel Cohen | Boom Operator |
| Sound | Chris Benstead | Music Editor |
| Sound | Patrick J. Foley | Dialogue Editor |
| Costume & Make-Up | Karen Muller Serreau | Wardrobe Supervisor |
| Costume & Make-Up | Raffaella Iorio | Makeup Artist |
| Camera | Rico Torres | Still Photographer |
| Crew | Teresa Kelly | Post Production Supervisor |
| Sound | Dan Hegeman | Sound Effects Editor |
| Sound | John C. Stuver | Dialogue Editor |
| Directing | Emilie Cherpitel | Second Assistant Director |
| Sound | Doug Hemphill | Sound Mixer |
| Sound | Christopher Assells | Sound Effects Editor |
| Visual Effects | Wesley Sewell | Visual Effects Supervisor |
| Sound | Jean-Paul Mugel | Production Sound Mixer |
| Sound | Tony Negrete | Assistant Sound Editor |
| Sound | Alicia Stevenson | Foley Artist |
| Sound | Chris Jargo | Supervising ADR Editor |
| Production | Erin Upson Cuevas | Co-Producer |
| Production | Julie Payne | Executive Producer |
| Camera | Marco Sacerdoti | First Assistant Camera |
| Camera | Basil Smith | Second Assistant Camera |
| Sound | Philip D. Morrill | Assistant Sound Editor |
| Sound | Frederick H. Stahly | ADR Editor |
| Sound | Karen Baker Landers | Supervising Sound Editor |
| Sound | Craig S. Jaeger | Foley Supervisor |
| Lighting | Franck Barrault | Gaffer |
| Sound | Peter Staubli | Sound Effects Editor |
| Production | Branko Lustig | Executive Producer |
| Production | Lisa Ellzey | Executive Producer |
| Sound | Kimaree Long | ADR Editor |
| Editing | Jim Passon | Color Timer |
| Costume & Make-Up | Alessandra Sampaolo | Makeup Artist |
| Sound | Kerry Ann Carmean | Sound Effects Editor |
| Sound | Dawn Fintor | Foley Artist |
| Editing | Gary Burritt | Negative Cutter |
| Lighting | Yvan Quehec | Best Boy Electric |
