In 1930s Paris, Madeleine, a pretty, young, penniless, and talentless actress, is accused of murdering a famous producer. Helped by her best friend, Pauline, a young, unemployed lawyer, she is acquitted on the grounds of self-defense. A new life of fame and success begins, until the truth comes out.
Unfortunately the movie The Crime Is Mine is not yet available on HBO Max.
| Directing | François Ozon | Director |
| Camera | Manuel Dacosse | Director of Photography |
| Production | Eric Altmayer | Producer |
| Production | Nicolas Altmayer | Producer |
| Art | Philippe Cord'homme | Set Decoration |
| Editing | Laure Gardette | Editor |
| Directing | Richard Elmosnino | Assistant Director |
| Production | Robin Reze | Assistant Unit Manager |
| Directing | Marion Dehaene | First Assistant Director |
| Costume & Make-Up | Marie Messien | Makeup Artist |
| Costume & Make-Up | Joran Muratori | Additional Hairstylist |
| Costume & Make-Up | Nathalie Tabareau | Key Makeup Artist |
| Camera | Julien Chassaignon | Additional Grip |
| Directing | Agathe Grau | Script Supervisor |
| Camera | Thomas Caselli | First Assistant Camera |
| Directing | Thibault Frey | Third Assistant Director |
| Camera | Victoire Bonin | Second Assistant Camera |
| Lighting | Stanislas Etenaille | Gaffer |
| Editing | Matis Bros | Assistant Editor |
| Directing | Grégoire Jeudy | Second Assistant Director |
| Camera | Julien Moine | Key Grip |
| Camera | Giovanni Quéné | Grip |
| Camera | Sylvain Zambelli | First Assistant Camera |
| Art | Julia Fimat | Props |
| Camera | Lara Mzayek | Assistant Camera |
| Costume & Make-Up | Indiana Sylla | Wardrobe Coordinator |
| Camera | Adrien Anquetil | Grip |
| Camera | Nathan Meynsbrughen | Additional Grip |
| Directing | Christophe Gomes | Assistant Director |
| Visual Effects | Ayelen Camiña | Visual Effects Coordinator |
| Camera | Guillaume Quilichini | Steadicam Operator |
| Sound | Jean-Philippe Marin | Boom Operator |
| Editing | Bertrand Glosset | Colorist |
| Editing | Rémi Paquin | First Assistant Editor |
| Camera | Stephane Canda | Grip |
| Art | Clément Jolivet | Graphic Designer |
| Art | Baptiste Tordeux | Assistant Art Director |
| Lighting | David Tshiakatumba | Electrician |
| Art | Yann Ricordeau | Property Master |
| Sound | Jean-Marie Blondel | Sound Mixer |
| Art | Barthelemy Thomas | Set Dresser |
| Art | Emilie Ferrenq | Property Master |
| Camera | Isabelle Brégeaud | Additional First Assistant Camera |
| Art | Louise Pichon | Assistant Set Decoration |
| Sound | Dominique Eyraud | Boom Operator |
| Costume & Make-Up | Justine Fiorito | Makeup Artist |
| Writing | François Ozon | Screenplay |
| Writing | Louis Verneuil | Theatre Play |
| Writing | Georges Berr | Theatre Play |
| Lighting | Louis Zebo | Best Boy Electric |
| Writing | Philippe Piazzo | Script Consultant |
| Sound | Philippe Rombi | Original Music Composer |
| Art | Jean Rabasse | Production Design |
| Costume & Make-Up | Pascaline Chavanne | Costume Design |
| Production | David Bertrand | Casting |
| Production | Anaïs Duran | Casting |
| Production | Geneviève Lemal | Co-Producer |
| Art | Stephanie Laurent Delarue | Art Direction |
| Production | Aude Cathelin | Production Manager |
| Sound | Julien Roig | Sound Editor |
| Sound | Jean-Paul Hurier | Sound Re-Recording Mixer |
| Visual Effects | Guillaume Le Gouez | Visual Effects Supervisor |
