The Island of Thirty Coffins is a 1979 French television series based on Maurice Leblanc's novel L'île aux trente cercueils, directed by Marcel Cravenne. It stars Claude Jade as Véronique d'Hergemont, a female protagonist, who is on the run and on searching for her father and her son, involved in horrible adventures on a terrific island. The story proceeds in 1917. Veronique d' Hergemont is a 35-year-old nurse at the military hospital of Besançon. She suddenly learns the assassination of her husband, the mysterious Count Vorski, whom she has not seen for fourteen years. Its research will also lead it on the track of her father and her son whom she believed dead in a shipwreck, it is already a long time.
Letters in the mess ... Who will find the longest word? Mixed numbers ... Who will solve the mathematical operation and exclaim "the account is good"? TV game based on math and vocabulary skills of candidates.
Seabert is an animated television series from 1985. It was created by BZZ films in Paris and originally aired in French before being translated into different languages around the world. In the United States, the show aired on HBO starting in 1987. There were 26 episodes (x 2 segments). The author is Marc Tortarolo for the theme, Philippe Marin for the design and Jacques Morel and Eric Turlot for the stories.
Catherine - a French TV series produced for Antenne 2 channel in 1986. It was based on the series of "Catherine" novels written by Juliette Benzoni. The series was directed by Marion Sarraut, who had already successfully brought on TV another of Madame Benzoni's work - Marianne. The director had the author's assistance going so far as working together, like mother and daughter, to work on the best-seller Catherine. Two years of preparation, fifteen months of shooting, two hundred actors - over fifteen hundred costumes. The episodes were not to be seen in prime time - but from 13:30 - 14:00 each afternoon. The production was nevertheless a huge success. The readers of the books were more than satisfied with what Marion Sarraut had done to Catherine. To their great joy, the producers had adapted the seven books more or less truthfully. Some minor changes had to be made, probably also because of the small bugdet they had at their disposal. Claudine Ancelot was a perfect Catherine. At her side, Pierre-Marie Escourrou a