A story of two women Shaista and Nayyara, and their daughters. Shaista is very selfish and has spoiled her husband's life. Shaista's daughters, Muskan and Iraj are stylish, having a very rude and aggressive behaviour with everyone, especially their cousins. Nayyara is a cousin of Shaista and a wife of her brother-in-law. She is happy and middle-class. Meanwhile, Nayyara's daughters Fala, Fariya and Haya are simple, sweet in nature who give respect to everyone.
Hadia has a rare obsessive love disorder called "Erotomania". Hadia’s grandmother keeps her under strict surveillance owing to her mental state. The story takes a turn when Hadia is attracted to her cousin Zamin who is engaged. He breaks off his engagement to marry Hadia. The break-up impacts the family’s attitude towards the couple and Hadia feels responsible for this and starts to avoid Zamin.
The story revolves around four characters; Arham whose unknown transgression has cut him off from the rest of the family, his older brother Shaiq who doesn't seem to be interested in his newlywed wife, Narmeen who is also a very grey-shaded character and holds mysteries herself, Areeba is the most genuine and helps bring Arham back out of his miseries.
A gripping tale of loyalty and growing hostility, fueled by a misunderstanding, “Namak Haram” revolves around the journey of Mureed. As his life is shaped by a misconception, his disposition is lead to mounting tension and spite. As the drama delves into the past and present of a family the elusive reality becomes a cradle of spite for the lives of everyone around.
"Tere Mere Beech" is a story of desire, misdirection, love, regret and gathering. The story highlights the lives of Hareem and Fahad, both belonging to varied backgrounds however have normal attributes of desire for cash and common joys. Hareem is raised by her auntie who is married into a well off family. Her aunt and uncle's unconditional love has made her self-obsessed, self-important and discourteous, and she sees herself misfit among her own blood relations. Her uncle Shabir Sahib chooses to pass on his wealth to Hareem however dies in an accident before he could compose his will.
Tan Man Neel O Neel delves into the dark abyss of societal intolerance and the unbridled chaos of mob mentality. It masterfully unpacks the grim reality of how unchecked extremism and collective hysteria can spiral out of control, often turning on its very instigators. The story juxtaposes two love tracks—one blossoming in the digital age and the other steeped in nostalgia and providence.
The serial tells the story of Dawood, a simple-minded man, and Kaneez Fatima, a strong-headed woman, who come from the same cultural background but have grown up in different societies. As they fall in love, they learn to tolerate and respect each other's different
The story proceeds focusing on Esha (Sumbul Iqbal) as a successful working woman married to her co-worker Arsal (Ali Kazmi) who happens to be her subordinate and insecure of her escalating career relative to his dampening profile both in the office and the family. Esha's sister, Zonia (Sukaina Khan), turn the tables when she embarks on an illicit relationship with Arsal eventually ending up getting herself married to him leaving Esha at verge of a heart-wrenching divorce as both families hit a low and when all the blood relations turn cold, Esha's mother (Ismat Zaidi), makes a will to her before passing on to get married to Arsal's younger brother Zaid (Imran Ashraf) who secretly loves her.
Saba is a strong, studious young woman who was raised by a family that supports her ambitions. Ammar, her love interest, is a well educated, handsome young man who has it all and knows it. He begins to display narcissistic tendencies shortly after their marriage, which harms their relationship and affects Saba’s self worth. When Ammar’s best friend Faakhir becomes a form of emotional support for Saba, tensions rise between the three, and make for a complicated dynamic.
A single mother and her daughter face several hardships to survive in the male-dominated patriarchal society and try to overcome every obstacle using each other's support.
Woh Dobara is HUM TV's first horror play. The story rotates around Zubair, who shifts his family to a new house where they begin the wedding arrangements of Zubair's brother Umair. The family begins seeing paranormal action occurring around the house yet give it no significance due to wedding preparations and celebrations. After the wedding Zubair is compelled to move out as Imaan neglects to conform with them however she is yet to confront the horrors that are waiting for her.
Kashf, a young woman, has recurrent nightmares that eventually take the shape of reality. As a result, it affects everything around her and she struggles to deal with day-to-day life.
Ramsha, Farhan, and Sahir share an unbreakable bond, but when love turns into obsession, their lives take an unexpected turn. Will their friendship survive, or will emotions push them toward an irreversible fate?