Customers relying on a single line advertisement “Search for food with memories”, finally arrive at Kamogawa Shokudo, which has no signboard or fabric curtain. Those who come to this inconspicuous eatery near Higashi Honganji in Kyoto are people of today who have troubles. Work, family, life, love, interpersonal relationships… Although their troubles are wide-ranging, the eatery’s poster girl Kamogawa Koishi accepts customers’ troubles with sincerity while her father, Nagare uses the instincts and powers of observation honed as a detective, to identify what meals customers truly desire and demonstrates his skills by recreating them. Customers who eat the “food with memories”, which are the fruits of the efforts of Koishi and Nagare, will leave Kamogawa Shokudo, finding the courage to live and pleasures of life.
An in-depth portrait of Asia today, covering its dynamism as a center of growth as well as its traditions tossed around by the advance of globalization.
Nakane Kyoko (Ono Machiko) grew up in a wealthy family and was raised by her strict father Shigekazu (Tachi Hiroshi) who did not see learning as a necessity. At 19, Kyoko was introduced to Natsume Soseki (Hasegawa Hiroki) as a prospective marriage partner. The two of them were drawn to each other and got married. Soseki took up a post in Kumamoto as a high school teacher and this was the beginning of their new married life. Although Soseki was an extraordinary intellectual, he did not know the warmth of family because he was given up for adoption as a child. In an attempt to understand her husband, Kyoko tried to read what he read, interacted with his friends and joined difficult conversations. But she was not exactly successful. Then she miscarried their first child and her attempted suicide because of loneliness caused a commotion. How would husband and wife overcome this crisis?
Hayakawa Yui is a young girl whose biggest quality is to be a fast runner. She accidentally travels through time up to the Sengoku Era and falls in love.
In an alternative feudal Japan, a strange disease that only affects males caused a massive population reduction, leaving females to fill the vacant jobs, therefore changing the social structure. Now, 80 years after the initial outbreak with a 1:4 male:female ratio, Japan is a completely matriarchal society. Females hold all important political positions, and males are their consorts. Only the most powerful female—head of Tokugawa shogunate—may keep a harem of handsome and unproductive males, known as "Ōoku".
The twin girls Tajima Megumi and Ichijo Nozomi was separated at birth after their parents had divorced. Years later they meet each other. Both of them have a career within the entertainment industry. Megumi who lives in Matsue, Shimane sings in the band Shijimijiru, and Nozomi is a maiko, an apprentice geisha in Kyoto.
After her bakery closes, pastry chef Aoi Shirai reluctantly joins an eccentric expert in running a unique pastry class. The class brings together people with emotional struggles, using the art of baking to help heal their hearts.
Miwa Kubota is a 29-year old movie fanatic who just got fired from her dead-end job. She saw that her favorite actor, the world-renowned Takahashi Yakai, is looking for a housekeeper. Even though she is totally unqualified, she goes there anyway. When she saw the new hire get into an accident outside his door, Miwa steps in to become the "pretend" housekeeper for her idol.
17-year-old Aoi came to Yui Obstetrics and Gynecology clinic as a part-time nurse apprentice in Summer 1997. Right after her entry, she is shocked after witnessing an abortion surgery. However, she also met staff members like Yui, the head of the clinic who is careful about everything, Sayako, a reliable and experienced nurse, and Sakaki, the gentle head nurse, who face each pregnant patient and support them after surgeries. Fumika, Aoi's mother, is worried about her clumsy nature and poor communication skills, but Aoi's unique compassion and kindness draws patients' hearts. "I wonder what's life..." Aoi matures while looking at the newborn babies' overwhelming life and asking herself that question.