Khabarovsk region. Taiga. Pavel Likhovtsev, a senior ranger and bear hunter, keeps an apiary in the taiga and brings up his eldest son Zhenya as a real peasant. However, with the advent of the nineties, the apiary is ruined. Pavel and his family are forced to go to Khabarovsk in search of a better life. At this time, in Khabarovsk, there is a redistribution of spheres of influence - all power and all resources are transferred to the OCG "Obshchak" - a gang that will soon become the largest criminal group in the world.
Once upon a time, Andrey went against the family tradition and, abandoning his career as a teacher, went to Moscow. The business failed, and the only way to fix things was to sell the family house, which, according to rumors, Pushkin once lived in. But there is a problem: in order to make a deal, it is necessary to obtain the permission of the father, who is serving time in the colony and blames his son for this. In order to improve relations, Andrey goes to the trick and gets a job as a teacher at an evening school at the colony. But this seems to be not enough, and to prove the sincerity of his intentions to return to teaching, Andrei simultaneously gets a job at an ordinary school as a literature teacher. During the day, he instills a love for beautiful teenagers, and in the evening — prisoners. And it's not always clear which school is safer to work at.
Max is the new guy in school, he’s just moved from Moscow and the big city lights where he was at private school, and now he’s the new kid at a local school in a provincial town in Russia. After going to a classmate’s birthday party, he just disappears. The investigation starts to peel layer after layer off not just Max’s life, but the lives of his classmates, revealing secrets that they’d rather keep hidden. Bullying, early drug and alcohol abuse, domestic violence all come to light – and not everyone is shocked, but who’s responsible? The New Guy looks at what happens when people you trust turn a blind eye.
Who and What is “A Good Man”? This is the central question in this original drama series from Konstantin Bogomolov, agent provocateur of Russian cinema. Based on a true story, inspired by the capture of Russia’s most prolific and brutal serial killer “the maniac of Angarsk”. "A Good Man" looks at everyday violence in quiet suburbia. The protagonist is a police officer and a security guard, keen to uphold the law, protect people and his town. His methods are deadly. It takes almost a decade to reveal him as a mass murderer, who preyed on over 80 young women in and around Angarsk.
Espionage drama set in 1990's and present-day Russia, with a strong female protagonist. It's the story of complex, dynamic woman, Hope, who has a hidden history rooting back when she was young and who lives now a double life. Mainly she's a loving mother and wife to her unsuspecting family, but she also has an inescapable alter-ego as one of the most ruthless and successful contract killers who is deperately willing to save her family and to find her way out of.
Estranged ex-lovers, Kostya and Kira are unexpectedly thrown together again when they're asked to collaborate as script-writers on a love-story set in a music school. The script focuses on teachers Rostislav (Dmitry Lysenkov) and Arina (Evgeniya Borzykh), who are caught-up in a difficult situation, made more complicated by Arina passing off a new colleague as her boyfriend to placate her demanding mother. The real and phoney relationships, both on and off-paper (or in reality or in the script), test all the characters, and examine themes of love, trust, sex, infidelity, friendship, responsibility as well as compatibility.
The film industry is a world with too many variables. A film's success depends not only on actors and directors but on everything that happens behind the camera: endless fights between the screenwriters, mischief, love affairs, and money issues. Finally, the whole team gets together for a wrap party. They will not only drink champagne but tell each other everything they've been hiding. Love affairs come to an end and arguments die down while the director is trying to understand whether he managed to create something "real".
Ilya Goryunov served seven years in prison on false charges of drug distribution. Now he is released driven by only one desire — to take revenge on the major Peter, who planted drugs on him and ruined his life. Having come face to face with his abuser, Ilya commits an impulsive act and gets access to Peter's smartphone, and with it to the young man's life — his photos and videos, correspondence with his parents and girlfriend Nina, to strange, full of innuendos and threats negotiations with colleagues. For a while, Ilya becomes Peter for everyone — through text on the phone screen.
An anthology style drama series looking at relationships during a pandemic ‘lockdown’. Each episode looks at a different relationship with a different story, some positive and some less so. Isolation doesn’t necessarily mean being alone…
The presenters will discuss the stories of women who have experienced violence in different situations – at work, in the hospital, at home, in adulthood and childhood. Candid stories and figures will be the reason for a conversation in which a man and a woman will finally hear each other. And they will be able to say what they were silent about before.