Espionage drama set in 1990's and present-day Russia, with a strong female protagonist. It's the story of complex, dynamic woman, Hope, who has a hidden history rooting back when she was young and who lives now a double life. Mainly she's a loving mother and wife to her unsuspecting family, but she also has an inescapable alter-ego as one of the most ruthless and successful contract killers who is deperately willing to save her family and to find her way out of.
Who and What is “A Good Man”? This is the central question in this original drama series from Konstantin Bogomolov, agent provocateur of Russian cinema. Based on a true story, inspired by the capture of Russia’s most prolific and brutal serial killer “the maniac of Angarsk”. "A Good Man" looks at everyday violence in quiet suburbia. The protagonist is a police officer and a security guard, keen to uphold the law, protect people and his town. His methods are deadly. It takes almost a decade to reveal him as a mass murderer, who preyed on over 80 young women in and around Angarsk.
Max is the new guy in school, he’s just moved from Moscow and the big city lights where he was at private school, and now he’s the new kid at a local school in a provincial town in Russia. After going to a classmate’s birthday party, he just disappears. The investigation starts to peel layer after layer off not just Max’s life, but the lives of his classmates, revealing secrets that they’d rather keep hidden. Bullying, early drug and alcohol abuse, domestic violence all come to light – and not everyone is shocked, but who’s responsible? The New Guy looks at what happens when people you trust turn a blind eye.
Khabarovsk region. Taiga. Pavel Likhovtsev, a senior ranger and bear hunter, keeps an apiary in the taiga and brings up his eldest son Zhenya as a real peasant. However, with the advent of the nineties, the apiary is ruined. Pavel and his family are forced to go to Khabarovsk in search of a better life. At this time, in Khabarovsk, there is a redistribution of spheres of influence - all power and all resources are transferred to the OCG "Obshchak" - a gang that will soon become the largest criminal group in the world.
This mystery thriller throws a Russian spin on one of the world’s most famous characters, the series follows the esteemed detective from London to stunning St Petersburg, on the trail of a suspected serial murderer. Sherlock Holmes (Maxim Matveyev) is on the hunt for Jack the Ripper. The infamous killer left a bloody trail in London and fled to the Russian Empire, with Sherlock on his tail. With new characters, Dr Kartsev and Sophia supporting Sherlock, and a new nemesis in Znamensky, this is an exciting, glossy action series.
An anthology style drama series looking at relationships during a pandemic ‘lockdown’. Each episode looks at a different relationship with a different story, some positive and some less so. Isolation doesn’t necessarily mean being alone…
The film industry is a world with too many variables. A film's success depends not only on actors and directors but on everything that happens behind the camera: endless fights between the screenwriters, mischief, love affairs, and money issues. Finally, the whole team gets together for a wrap party. They will not only drink champagne but tell each other everything they've been hiding. Love affairs come to an end and arguments die down while the director is trying to understand whether he managed to create something "real".
Estranged ex-lovers, Kostya and Kira are unexpectedly thrown together again when they're asked to collaborate as script-writers on a love-story set in a music school. The script focuses on teachers Rostislav (Dmitry Lysenkov) and Arina (Evgeniya Borzykh), who are caught-up in a difficult situation, made more complicated by Arina passing off a new colleague as her boyfriend to placate her demanding mother. The real and phoney relationships, both on and off-paper (or in reality or in the script), test all the characters, and examine themes of love, trust, sex, infidelity, friendship, responsibility as well as compatibility.
Alyssa is only fifteen, and her teachers are tired of calling her mother into school, while Alyssa’s mother can't understand what is going on with her child. Alyssa then finally learns what has been hidden from her for years: she will soon go completely blind. A little longer, and she will be in total darkness. She vows to live to the fullest while she can and decides that it would be stupid to waste time on school. It is better to grow up fast, earn some easy money, and move to a big and beautiful city. But pretty soon Alyssa's teenage illusions are shattered by reality, and her mother's strategy of pretending that all is well will inevitably lead to disaster.
Nora is a successful businesswoman with a steely grip not only on her work, but also on her family relationships. Her perfectly constructed system of life collapses when her beloved husband Vanya suddenly dies. The news of his death is accompanied by no less shocking information: Vanya had a "second life". Not only was he cheating on his wife, but he was also secretly practicing the tango, a passionate dance that is the exact opposite of a clear and structured life with Nora. Trying to make sense of what happened, Nora herself goes to the tango school, which at first seems to her to be a meeting place for people with low social responsibility. But in the end it is this colorful world that changes Nora beyond recognition: she will go from a woman with an iron grip to a free and soft dancer.
Half-brothers Yura, Ruslan, and Pyotr form a close family with their mother Flora. In 1995 Russia, greed and violence threaten their bond as they navigate underground clubs, fights, and the collapse of their once-secure world.
The presenters will discuss the stories of women who have experienced violence in different situations – at work, in the hospital, at home, in adulthood and childhood. Candid stories and figures will be the reason for a conversation in which a man and a woman will finally hear each other. And they will be able to say what they were silent about before.