A manless world, a nuclear missile on Amsterdam, a collective brainwash, and suffering as a recipe for success. Six filmmakers drag the viewer into their most terrifying fantasies.
In Europa is a series of television documentaries on Europe in the 20th century, based on the book with the same name by Dutch writer and historian Geert Mak. The series had a budget of 4 million euro and was cofinanced by the Dutch Ministry of Interior Relations. Episodes are available for viewing on the official site. First broadcast on Nederland 2 from 2007 to 2009, quite a few locations important in European history are shown throughout the series, both historical and current.
After two episodes the Flemish public channel bought the series, starting broadcasts on January 8, 2008. Swedish public channel Sveriges Television bought the series as well, starting broadcasts from January 2009. Croatian public television also bought the series and begun broadcasting from late 2011 through 2012.
Although the series is mainly in Dutch, many of the episodes can be understood, as interviews with eyewitnesses or sons or daughters of contemporary figures tend to be in English.
What do you do when you lose everything and have to start all over again? Ten-year-old Lucas, the middle child of a wealthy family, lives in an expensive neighborhood in a large house, equipped with every luxury. Everything changes completely when Lucas, while searching for his Sinterklaas surprise, finds a large box of unpaid bills. Father Maarten turns out to have enormous financial problems and the family loses everything. The family is evicted and, with the help of their cleaner Nina, finds shelter in an old office building among other new poor people. While father (Jeroen Spitzenberger) and mother (Hadewych Minis) have a hard time with themselves and each other, and big brother Thomas (15) and sister Emma (7) have a terrible time getting used to the new situation, Lucas tries to make the best of it with the highest goal: a Merry Christmas for the whole family.
Breathtaking natural beauty, tolerant, safe and prosperous. That is the picture we have of Canada in the Netherlands. But is it really that paradisical, or does Trudeau's country know how to put on a mask of civility? Writer Emy Koopman travels in Paradise Canada from Vancouver to Montreal and looks at the problems brewing beneath the surface. The series delves into all the urgent themes of our time and examines the state of Canada with racism and gender equality, migration, climate change and the welfare state. Emy Koopman speaks to famous Canadian intellectuals such as Charles Taylor, Margaret Atwood and Jordan Peterson.
Kreatief met Kurk was a satirical mockumentary by Arjan Ederveen, Tosca Niterink and Pieter Kramer (director), which was broadcast by the VPRO from January to March 1993 (lessons 1 to 13) and from January to June 1994 (lessons 14 to 26).
Paulien Cornelissen, who studied in Japan years ago, goes back to examine the land of the rising sun. Each episode's theme is a unique, almost translatable word from the Japanese language.
Adriaan van Dis, child of a Brabant peasant and a Dutch-Indonesian father, after long hesitation, made a television series about the country that such a large role in his life. 'In the Netherlands, I was never brown enough, but suddenly I heard that.'
In the eight-part series Allah in Europe, Jan Leyers is looking for the face of Islam in Europe. Is there such a thing as a European, enlightened version of Islam growing and is that what Muslims themselves want?
Bernhard, schavuit van Oranje is a Dutch television program depicting the more than only turbulent life of a prince consort. It is a compelling drama concerning a man who tries to be himself, but must survive deep crises, finally to see the real meaning of love. Within the Dutch royal family there is actually no more talked about character than Prince Bernhard of Lippe-Biesterfeld. Whether it concerns Greet Hofmans, extramarital affairs, or Lockheed, Prince Bernhard faced a lot of scandals throughout the course of his life. Besides this he was, and is a person, loved by many as a war hero. A man of extremes. In four parts Prince Bernhard tells the tale of his life. Not only through the spyglass, but especially to his grandson's wife, Princess Máxima of the Netherlands, who will be soon the Queen next to Prince Willem-Alexander. In a way, she takes the same position as Prince Bernhard did in his life. In their conversations and discussions it becomes clear how much they are different, but also how much they a