Pardon The Expression! is an ITV sitcom made by Granada Television, that was first broadcast from Wednesday 2 June 1965 to Monday 27 June 1966. The sitcom was one of only four spin-offs from the highly popular soap opera Coronation Street. Pardon the Expression itself had a spin-off: Turn out the Lights broadcast in 1967. There wasn't to be another spin-off until the 1980s with The Brothers McGregor, which reused two characters who appeared in a single episode.
Leonard Swindley was the central character. Formerly the manager of the fashion retail store "Gamma Garments" in Coronation Street, in this series he is the deputy manager of the department store Dobson and Hawks. His boss in the series was Ernest Parbold played by Paul Dawkins who was replaced by Wally Hunt played by Robert Dorning in series 2. Other regulars were Betty Driver as canteen lady, Mrs Edgeley and Joy Stewart as Miss Sinclair, the boss's secretary.
Local police officer Sergeant PJ Collins is a gentle man who hides from people and fills his days with comfort food and half-hearted police work. He is one of life's outsiders, lovable, but lonely and a bit rubbish at his job. When the body of long-lost local legend Tommy Burke is discovered, PJ is called to solve a serious crime for the first time in his career. Unearthing long buried secrets, PJ finally connects with the village he has tried so hard to avoid.
The investigation of Paul Vandervent into the mysterious death of his father brings further discord among two feuding families tied together in business and marriage, living under the same roof.
Duck Patrol is a British television comedy series that originally aired in 1998. Produced by LWT for the ITV network, it centered around a river police station by the River Thames.
The script for the pilot episode 'Of Ducks and Men' was re-filmed with some changes to supporting cast and main cast uniforms, and retitled as 'Flying Colours' which then became the first episode of the following series.
Celebrity special series of The Chase. Contestants must pit their wits against the Chaser, a ruthless quiz genius determined to stop them winning the cash prize.
How We Used to Live is a British educational historical television drama written by Freda Kelsall and sometimes narrated by Redvers Kyle and John Crosse, both employed as continuity announcers at Yorkshire Television at the time of production. Production began in 1968 at the YTV studios in Leeds. The series traced the lives and fortunes of various fictional Yorkshire families from the Victorian era until the 1960s, in and around the fictional town of Bradley, using self-contained short dramas interspersed with archive footage.
Raffles was a 1977 television adaptation of the A. J. Raffles stories by Ernest William Hornung. The series was produced by Yorkshire Television and written by Philip Mackie. The episodes were largely faithful adaptations of the stories in the books, though occasionally two stories would be merged to create one episode such as "The Gold Cup" which featured elements from both "A Jubilee Present" and "The Criminologist's Club".
Jim London (Jim Davidson) is a working class cockney lad who lands a job as a chauffeur for businessman Robert Palmer (George Sewell) who has had his driving licence withdrawn. Palmer's butler (Harry Towb) doesn't approve of Jim but gradually accepts him.
Cowboys is a British sitcom that aired on the ITV network during the early 1980s.
The show was created by Peter Learmouth whom would go on to create Granada television sitcom Surgical Spirit and starred Lancastrian Character-actor Roy Kinnear as Joe Jones "whose small building firm hardly seems to do anything right at all" with co-stars David Kelly as 'Wobbly' Ron, "Oscar-Winning Writer" Colin Welland as Geyser and James Wardroper with Debbie Linden and Janine Duvitski.
The show is based on the British colloquial use of "cowboy" to describe a workman of doubtful professionalism e.g. a "cowboy builder".
Village Hall is a drama anthology series made by Granada between 1974 and 1975. It is entirely set in a village hall, with each episode highlighting a different use to which the space is put by local people. Writers include Jack Rosenthal and the actor Kenneth Cope.
Finney is a 5-hour, 6-episode made-for-British television film that follows the struggle for power between various crime families in the North of England.
After surviving a series of attempts on his life, successful businessman Lew Burnett decides to remain "dead" after the most recent one so he can go undercover and find out which of his close friends and business associates want him dead.
Follyfoot is a children's television series co-produced by the majority-partner British television company Yorkshire Television and the independent West German company TV Munich. It aired in the United Kingdom between 1971 and 1973, repeated for two years after that and again in the late 1980s. The series starred Gillian Blake in the lead role. Notable people connected with the series were actors Desmond Llewelyn and Arthur English and directors Jack Cardiff, Stephen Frears, Michael Apted and David Hemmings.
It was originally inspired by Monica Dickens' 1963 novel Cobbler's Dream; she later wrote four further books in conjunction with the series—Follyfoot in 1971, Dora at Follyfoot in 1972, The Horses of Follyfoot in 1975, and Stranger at Follyfoot in 1976.
Paddington Bear was the second television adaptation of the children's animated series and made by Hanna-Barbera. This series was traditional two-dimensional animated and featured veteran voice actor Charlie Adler as Paddington and Tim Curry as Mr. Curry. The character of an American boy named David, Jonathan and Judy Brown's cousin was added to the stories in order to sell the concept to US networks.
Two's Company is a British television situation comedy series that ran from 1975-79. Produced by London Weekend Television for the ITV Network, the programme starred Elaine Stritch and Donald Sinden.
Fun Song Factory is a British preschool children's show centered around a factory where music is created. In it, live presenters alongside children come inside and sing a number of nursery rhymes, which depend on per episode. It was one of the first songs-based shows to be filmed in front of a live audience of children.