London, 1886. Unbeknownst to his loyal wife Winnie, Verloc, a Soho store owner, works as a secret agent for a powerful foreign government.
Title | Air Date | Duration | ||
---|---|---|---|---|
Season 1 | Episode 1 | Episode 1 | 1992-10-28 | 60 min |
Season 1 | Episode 2 | Episode 2 | 1992-11-04 | 60 min |
Season 1 | Episode 3 | Episode 3 | 1992-11-11 | 60 min |
Production | Tony Marchant | Executive Producer |
Production | Polly Hill | Executive Producer |
Production | Simon Heath | Executive Producer |
Production | Fergus Haycock | Executive Producer |
Production | Claudine Sturdy | Line Producer |
Production | Priscilla Parish | Producer |
Production | Roderick Seligman | Executive Producer |
Production | Geoff Webb | Executive Producer |
Production | Greg Phillips | Executive Producer |
Sound | Simon Gershon | Sound Effects Editor |
Crew | Deborah Kavanagh | Visual Effects Editor |
Sound | Stuart Earl | Original Music Composer |
Sound | Joe Morley | Foley Artist |
Sound | Michael Kneafsey | Boom Operator |
Sound | Ben Brazier | Dialogue Editor |
Costume & Make-Up | Helen Cannon | Makeup & Hair |
Visual Effects | Tim Ollive | CG Artist |
Sound | Robert Searl | ADR Recordist |
Art | David Roger | Production Design |
Art | Laura Donnelly | Art Direction |
Sound | Chris Alford | Foley Mixer |
Sound | David Bowtle-McMillan | Production Sound Mixer |
Camera | Gavin Finney | Director of Photography |
Costume & Make-Up | Laura Hill | Makeup Designer |
Visual Effects | Simon Gretton | VFX Editor |
Costume & Make-Up | Susie Will | Costume Supervisor |
Editing | David Blackmore | Editor |
Sound | Jonathan Smith | Sound Effects Editor |
Visual Effects | Paul Round | Visual Effects Supervisor |
Crew | Mark Bradley | Visual Effects Art Director |
Visual Effects | Drew Jones | VFX Director of Photography |
Visual Effects | Roger Rosa | CG Artist |
Visual Effects | Robert Vassie | Visual Effects Producer |
Costume & Make-Up | Barbara Kidd | Costume Designer |
Visual Effects | Fern Hodgson | Visual Effects Coordinator |
Visual Effects | John Swinnerton | Visual Effects Supervisor |
Writing | Joseph Conrad | Novel |
Production | Jill Trevellick | Casting |